Jumat, 30 Juli 2010

The Fixer (Thorndike Press Large Print Basic Series), by Joseph Finder

The Fixer (Thorndike Press Large Print Basic Series), by Joseph Finder

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The Fixer (Thorndike Press Large Print Basic Series), by Joseph Finder

The Fixer (Thorndike Press Large Print Basic Series), by Joseph Finder



The Fixer (Thorndike Press Large Print Basic Series), by Joseph Finder

Read Online Ebook The Fixer (Thorndike Press Large Print Basic Series), by Joseph Finder

A New York Times Bestselling Author In Joseph Finder's latest breakneck stand-alone thriller, Rick Hoffman has lost his job and his apartment. Now Rick's only option is to move back into ― and renovate ― the home of his miserable youth, which has been empty and in decay since his father's stroke. But when he starts to pull the place apart, Rick makes an electrifying discovery that will put his life in peril ― and change everything he thought he knew about his father.

The Fixer (Thorndike Press Large Print Basic Series), by Joseph Finder

  • Amazon Sales Rank: #2566732 in Books
  • Brand: Finder, Joseph
  • Published on: 2015-06-03
  • Format: Large Print
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.10" h x 5.70" w x 8.60" l,
  • Binding: Hardcover
  • 519 pages
The Fixer (Thorndike Press Large Print Basic Series), by Joseph Finder

Review Prasie for The Fixer“[I]f you’re in the mood for tense, witty angst about closed-down career opportunities and dirty money cleansed by family redemption, The Fixer is the way to go.” --The New York Times Book Review  "Joseph Finder takes a familiar story and gives it a unique spin in his latest page-turner, "The Fixer."" —Associated Press“Joseph Finder has written a tense, fast-moving thriller bearing the warning that there may be things you don’t know and should know about your family.”—Washington Times“Adroitly told with a riveting cast of three-dimensional characters and enlightening reveals aplenty, Finder’s latest standalone should be on everyone’s summer reading list.”—The Strand Magazine“Joe Finder moves from action to psychological thriller in his scintillating, Boston-based new novel…There’s a wondrous noir aspect to "The Fixer" that also recalls Dennis Lehane at his best. But Finder, thankfully, isn’t nearly as dark or bleak, and remains a storytelling maestro whose latest hits all the right notes.”—The Providence Journal"Finder can make reading about someone walking across a room excruciatingly suspenseful…This is a thriller that is as much about redemption as it is about escape. A remarkable exciting read.”—Booklist, starred review“The Fixer is [Finder’s] most personal book.... a lively page-turner with smart, tight dialogue.” --The Houston Chronicle“So many surprises, this book is a definite page-turner and a whole lot of fun to read. A thriller that will keep you up late to find out what will happen next. 5 Stars for this one!”—Suspense Magazine“The Fixer is a page turner with deep emotional resonance as it explores the mysteries between all fathers and sons.” —CT News“Engaging, easy and quick reading, along with a practiced blending of action and dialogue.”—San Antonio Express NewsPraise for Joseph Finder and Suspicion:   “A master of the modern thriller.” —The Boston Globe "A can't-miss thriller...Suspicion is arguably Joseph Finder's best novel to date, and he's one of the best thriller writers in the business. He's a master at making the reader feel every emotion, jump at every shock and squirm with every twist that Danny must overcome.”  —Associated Press "[Suspicion] sets the suspense level to a pitch that will keep even the coolest readers sweating." —The Boston Globe “Lock yourself in a room with Suspicion and don’t come out until you’ve read every last word. Completely original, emotionally satisfying, expertly twisted, and genuinely entertaining. Suspicion is the thriller to read this year. I loved it.” —Lisa Gardner “Joseph Finder has always been out there on the front edge of things. With Suspicion he does it again, giving us a novel that is as timely and cognizant of contemporary society as it is a startling seat of the pants thrill ride. In Finder's hands one man's fight for survival becomes an everyman's journey to the light.” —Michael Connelly “Suspicion is Joseph Finder at the absolute top of his form:  a heart-pounding, sweaty-palmed, utterly terrifying ride.” —Tess Gerritsen "Is this Joseph Finder's best thriller yet?  It gets my vote. So many twists and shocks. It kept me reading all night." —R.L. Stine "Finder fans as well as devotees of action-packed suspense have a great read ahead. The taut pacing, staccato chapters, and ingenious plot, especially Finder's characteristically creative use of digital surveillance techniques, guarantees a literary thrill ride." —Library Journal, starred review  "There are many authors who take a reader 'slowly into that good night.' However, the real genius knows how to create the ultimate lead-in. They are the wordsmiths who can, in one page or one paragraph, grab the reader's attention and never let go...A true genius wordsmith, this is one author who has created solid suspense gold." —Suspense Magazine "[A] lean, crisp thriller—a zipping Jaguar of a ride...The plot turns—three major ones—are as shocking as they are believable...his spare, laminated style is several cuts above that of most thrillers." —Publishers Weekly

 

"Thriller veteran Finder merits applause for this streamlined story made believable by Danny's everyman character; readers will find his palpable guilt and fear instantly relatable." - Booklist "Full of intriguing characters, squirmy, fast-paced action and a nifty, convoluted plot, Finder's latest is a real keeper. It's likely to keep you flipping pages until you reach the final, unexpected conclusion." - Lansing State Journal

From the Hardcover edition.

About the Author JOSEPH FINDER is the New York Times bestselling author of eleven previous novels, including Suspicion, Vanished, and Buried Secrets. Finder's international bestseller Killer Instinct won ITW's Thriller Award for Best Novel of 2006. Other bestselling titles include Paranoia and High Crimes, which both became major motion pictures. He lives in Boston.

Excerpt. © Reprinted by permission. All rights reserved.

1

On a lovely West Cambridge street this 1903 Queen Anne home is on a large level lot with many mature trees. Graciously proportioned rooms and elegant millwork. Pocket doors and two working fireplaces with original ceramic tile. The house is in need of updating, please see attached home inspection report.

The house was a dump. There was no way around it. The listing had been online for seven months, and it had generated a flurry of interest at first and one offer so lowball that the real estate agent refused to dignify it with a reply. The agent had written the ad himself and was justifiably proud of it. It was a great ad. It was also a steaming pile of horseshit, as everyone eventually discovered when they got a look at the house. An absolute lie. The place was a disaster. A money pit. Potential buyers usually fled after spending a minute or two stumbling through the decaying interior.

So Rick Hoffman, who’d left the family house on Clayton Street in Cambridge seventeen years ago, solemnly vowing never to return, was now camping out in what used to be his father’s study, on the second floor. December in Boston could get awfully cold, but he’d turned off the heat, which was ridiculously expensive, so he was sleeping fully clothed in a sub-zero expedition sleeping bag on the old leather couch, next to a space heater. The study smelled vaguely of cat piss. Glassed-in legal bookcases lined the walls, tall and rickety. On his father’s desk was an ancient IBM PC, in early-computer ivory, that belonged in the Smithsonian, and an Oki Data dot-matrix printer. If the 1980s ever came back, he’d be all set. His old bedroom, where he’d lived until he went off to college, had become a storeroom for broken furniture and cardboard boxes of files. So he slept on the leather sofa in a room as cold as a meat locker with the faint aroma of cat urine in the air.

This was, he realized, the lowest point in his life.

He had nowhere else to live. A week earlier he’d been forced to move out of the Back Bay apartment he’d shared with his (now) ex-fiancée until Holly had announced she no longer wanted to marry him. He’d spent a few nights in a motel on Soldiers Field Road in Brighton, but his money was running out fast. He had no income anymore. He’d sent out his résumé to dozens of magazines and newspapers, with no reply. He’d sold his watch, a nice Baume & Mercier, on eBay and unloaded most of his fancy clothes on a website that let you buy or sell “gently used, high-end” clothing.

His money was almost gone. He was lucky he had a place to crash for free. But it didn’t feel so lucky, sleeping in the cold hovel on Clayton Street, the house he and his sister had grown up in.

Wendy, three years younger than Rick, was living in Bellingham, Washington, with her partner, Sarah, who owned a vegan restaurant. “Just sell the damned place,” she’d told Rick. “The house is shit, but the land’s got to be worth a couple hundred thousand bucks. That’s money I could use.”

Until Holly had broken off the engagement and kicked him out of their apartment on Beacon Street, that had seemed like a decent plan. But Rick needed a place to live, at least until he found another job, got back on his feet.

*   *   *

Two months ago, he’d been the executive editor of Back Bay, a glossy magazine devoted to the rich and the famous in Boston, the movers and shakers. It had just enough slavish coverage of celebrity chefs and posh weddings and best bartenders to ensure a nice, fat magazine, and just the right dash of snark—a knife-edge balance, really—to hook covetous and aspirational readers who considered themselves smart and sophisticated but actually weren’t.

Seven or eight years ago, a local private-equity maestro named Morton Ostrow took over the joint, infusing Back Bay with cash, made it slicker and glossier, a rich man’s plaything. He ushered in a golden age of big salaries and almost unlimited expense accounts. You had to spend money to make money! he liked to say. He moved the magazine’s offices from a cramped but elegant redbrick town house on Arlington Street in the Back Bay to a converted mill building on Harrison Avenue, in the newly desirable, artist-infested SoWa district in the South End. Brick and beam, huge nineteenth-century industrial windows, and polished concrete floors. Parties at dark, bunkerlike clubs no one could get into, sponsored by Ketel One or Stoli Elit.

Rick, who’d rented the movie All the President’s Men at an impressionable age and had been obsessed with it, had always wanted to be Woodward or Bernstein, an intrepid reporter who specialized in ferreting out high-level government fraud and conspiracy. He went to work for The Boston Globe in the Metro section and got a lot of attention for an exposé he did on private, for-profit prisons. He did an article about corruption in the city’s taxi business and a series on how easy it was to get out of drunk-driving charges in the state. He might, he told himself, have been on the upward trajectory toward Woodward-and-Bernsteinism if he hadn’t met Mort Ostrow at a book party in Cambridge. Ostrow, a short, squat frog of a man, liked Rick right away. He was hired away from the Globe at a ridiculous salary to beef up Back Bay’s coverage of the “power elite”—scandals at Harvard, intrigue at the State House, gossip among the pashas of the hedge funds. He was given license to puncture and skewer.

He acquired a big apartment on Beacon Street and a beautiful blond girlfriend to go with it. He and Holly went out to parties or dinner almost nightly. He could get a table at the tiniest, most exclusive restaurant, the kind that’s booked months in advance (not years; this was Boston, after all), at half an hour’s notice. When he wore suits, they were made by Ostrow’s tailor (working buttonholes on the cuffs, Super 130s, fully canvassed), at the friends-and-family rate. He had a weekly breakfast with Mort Ostrow at Mort’s regular table at the Bristol Lounge at the Four Seasons.

While it lasted, it was a pretty nice life.

*   *   *

The space heater buzzed and snarled. He heard something . . . scurrying somewhere within the walls nearby. A soft commotion, a rodent scrabbling. Mice? Rats? Squirrels? Anything could have gotten in through the chimneys or vents in the long years the house had stood unoccupied. Rodents or birds could be living in the walls. He got up from the couch, listened in silence for a moment, heard the muted scrabbling sound from inside the study’s back wall—then slammed the wall with his fist.

There was a great crash as one of the bookcases toppled, hurtling its contents to the floor, its glass front shattering.

“Shit,” he said. At least the scrabbling sound had stopped.

Broken glass was scattered everywhere, jagged shards twinkling in the morning light. Red bound volumes of The Massachusetts Law Reporter were arrayed on the floor. Rick’s father, Leonard, had been an attorney, a solo practitioner whose clientele included some sketchy characters: strippers, porn purveyors, club owners. He’d rented an office on Washington Street in downtown Boston. But he’d always kept a duplicate set of his law books in his home study.

Rick went to fetch a broom and a dustpan to sweep up the broken glass. The broom closet was off the kitchen, down one floor.

A thick blanket of dust and debris had collected on the wooden stairs, including some crumpled Narragansett beer cans and a discarded foil condom wrapper. Teenagers had gotten into the house—hence the broken window—but probably not squatters. No long-term residents. The house had been rented for most of the eighteen years since Len’s stroke. But as the place slowly deteriorated and repairs were left undone, the quality of the renters deteriorated along with it. The last ones were so rowdy and degenerate that the neighbors started complaining. Three years ago Rick had given up renting the house altogether.

The hallway was dark—the lightbulbs in the ceiling fixture were burned out—but he knew the way by heart. He could navigate the house blindfolded. He found the broom closet and located a tangle of plastic shopping bags but no brooms. And an old carpet sweeper that, even if it still worked, wouldn’t pick up most of the shards of glass anyway. He looked around the kitchen. More beer cans here, and beer bottles, and discarded Big Mac cartons.

“Don’t move, asshole!” someone shouted.

Rick jumped, startled. He spun around, saw a tall, skinny, balding man in a barn coat, jeans, and boots.

“Oh, it’s you,” the man said. “Hey, man, good to see you, Rick!”

“Oh, hey, Jeff.” He smiled with relief. “Been a while.”

“Sorry, dude, didn’t mean to scare you. I thought it was those damned Rindge and Latin kids again.” He held up a key ring and jingled it. “Wendy gave me a set of keys a couple, three years back and asked me to keep an eye on the place.”

“No problem.” Rick shook his head. “And listen, I really appreciate it.”

Jeff Hollenbeck lived next door, had grown up there and inherited the house after his parents’ death. He was a year or so younger than Rick. He and Rick weren’t friends, exactly, but used to play a lot of one-on-one basketball in Jeff’s parents’ driveway using the hoop mounted to their garage. Jeff, always tall and skinny and athletic, usually won. When Jeff went to Rindge and Latin, the local public high school, Rick had gone off to the Linwood Academy, a private school, so their already minimal friendship had been attenuated further. Also, Jeff began to make fun of Rick’s “faggoty uniform”—the blue blazer, white shirt, and striped crimson-and-gray repp tie. All legitimate grounds for ruthless teenage mockery, but not great for their friendship either.

Apparently, Jeff had gone through a druggy phase in high school, came close to being expelled once, but straightened up in time to go to Bunker Hill Community College. Rick didn’t remember what Jeff did for a living—something in the construction trade, maybe? His balding head was close-cropped on the sides. As a teenager he’d worn it down to his shoulders. Now, as if to compensate for the hairlessness up top, he had a goatee, wiry, gray-flecked. His eyes were a watery blue-gray.

“I think the word got around the high school that the house is empty, and there’s this gang of kids who use it for partying and screwing and whatever whatever. If I ever hear them, I show up and shoo ’em away. How’s your dad doing?”

Rick smiled sadly, shook his head. “Same.”

“Same, yeah? I guess he’s—still in that nursing home?”

Rick nodded. “He eats and gets parked in front of the TV all day and that’s his life, you know . . . ?” It was beyond sad, actually. It was heartbreaking the way his father had ended up.

“Wendy still out in Oregon?”

“Washington, but yeah.”

“And you’re the grand pooh-bah of Boston Magazine?”

Rick shrugged, too weary to correct Jeff on the name of the magazine, which would also mean setting him straight on Rick’s job title, which was no longer any title at all. Plus, there was something enjoyable about being out in the real world, where the news of his firing actually hadn’t made it. It was refreshing to visit a place where no one could hear the low beating of the tom-toms.

Which he himself hadn’t heard until it was too late.

He was the last person to figure out he was going to get sacked. His numbers—subscriptions and newsstand sales, anyway—were looking great. He’d told Holly he was expecting a raise. There was even talk of end-of-the-year bonuses if the magazine was “ahead of plan.”

Later, of course, he found out that the gossip that his days were numbered had been burning up the wires for weeks. Mort had made a couple of disastrous market calls. He’d lost a big bet on a gold mining company and a Chinese timber firm. His fortune had gone poof, just like that. Or so the rumors had it.

Rick found out over breakfast at the Four Seasons, after he’d ordered, before he’d finished his first cup of coffee.

It wasn’t that he was being fired, that wasn’t it at all; his job was being eliminated. Mort was discontinuing the print edition. He could no longer afford the fat salaries and the expense accounts. Anyway, the luxe strategy wasn’t working. The ad guys were always having to discount to fill the pages, too obviously stuffing the remnant space with house ads. Time for some disruptive innovation! He was slashing the payroll, letting his overpaid editors go. Staffers were getting converted to freelance, paid by the piece, meaning by the post. Rick was certainly free to pitch stories to the new editor/publisher, a loathsome little squirrel in Chuck Taylors and Ben Sherman and ironic Buddy Holly glasses whom Rick had hired as a web editor a year earlier.

By the time his prosciutto-and-roasted-asparagus omelet had arrived, Rick had lost his appetite.

*   *   *

“Still living across the river?” Jeff said.

“Nah, I’m moving out.” Rick didn’t want to get into the gory details. Not with Jeff Hollenbeck, anyway.

An arched brow. “Moving in here?”

Rick shook his head. “I mean, for a little while, yeah, but it’s time to sell.”

“They’ve been showing it for a while now. I guess no bites, huh?”

Rick spread out his hands. “We got one lowball offer. Place is a shithole.”

“Definitely needs work. But it’s got good bones. Someone wanted to invest some time and money into it, it could be sweet.”

“That’s sorta what I’m thinking. Maybe get a carpenter in here, a plasterer, sand the floors, new paint. . . .”

“You’re not thinking of doing it yourself, are you?”

“No way. Not my skill set.”

“You hire someone yet?”

He shook his head again. “Bank account’s a little light. Maybe a couple of months down the road.” He said it in an offhand way, as if it was only a matter of time before a tsunami of money started pouring in.

Jeff shifted his weight from foot to foot. “I wouldn’t mind taking a crack at it. You know that’s what I do, right?”

“Oh yeah?”

“Yeah. Builder, carpentry, gut renovations, the whole nine yards.” He pulled a business card from the front pocket of his barn coat and handed it to Rick. It said JEFF HOLLENBECK BUILDERS. “Got a couple guys working for me now. I don’t know what kind of quotes you’re getting, but I don’t mind giving you a break, you know—childhood friends, all that.”

“Huh.” He’d never thought about Jeff as a serious adult, let alone a successful builder.

“You wouldn’t believe what houses on this block are selling for, man. It’s crazy. It’s like—you know the D’Agostino place across the street?”

“Sure.”

“I think they got one-point-five mil for that place, and it’s not nearly as nice as this . . . could be, I mean.”

“A million and a half bucks? For that dump?”

“I know, it’s crazy. I mean, you put some good work into this place, you could get two mil easy. More, even.”

“I don’t really have the . . . liquidity, I gotta be honest with you.”

Jeff nodded. “We could do a deal, maybe. Like, my company does the work and I get a cut of the sale. Work out something that’s good for both of us.” He took out a pack of Marlboros and a Zippo. “Mind?”

“You kidding? Anything to get that cat piss smell out of my nostrils.”

Jeff chuckled as he lit a cigarette. “Luckily I don’t smell it.”

“Upstairs in my dad’s office, that’s where it’s bad. Plus, we’ve got critters living inside the walls.”

Jeff exhaled twin plumes of smoke. “So what do you think?”

Rick was quiet for a long moment. He thought, What the hell. This could be fairly painless. “When could you start?”

“Anytime. Like now.”

“Business slow?”

“Always slows down in the winter. I mean, I’ve got a couple of big jobs lined up starting March or April. . . .”

“It’s an interesting idea. If we can work it out, I mean.”

“Well, so think about it. Meanwhile, let me check out what that smell is upstairs. I got a pretty good idea I know.”

Jeff followed Rick up the stairs. “Jeez,” he said, toeing the condom wrapper. “Can’t even clean up their own shit.”

When they got to the study, Jeff said, “So that was the crash I heard.” He snorted. “Oh yeah, I smell it now. That’s nasty. Hold on, I’ll be right back.”

He galumphed down the staircase. Rick was picking up the larger pieces of glass when Jeff appeared in the doorway, a shop broom and dustpan in one hand and a crowbar in the other.

“Thought you could use this.” He handed Rick the broom and dustpan. Then, waggling the crowbar, he said, “If you’re serious about doing work on the place, I can open up the wall and see what the problem is.”

Rick shrugged. “Go for it, why not.”

Jeff walked carefully to the middle of the room, weaving around and through the broken glass. Then he stood, head cocked, listening. A moment later, the rustling started up again. Jeff followed the sound to the back wall, then stood still for a few seconds more. He opened the closet door, heavy and paneled, with an ornamented brass knob. He noticed the dangling string, the pull cord, and tugged it to switch on the bare bulb mounted on the canted ceiling.

Jeff nodded, smiled. “They’re in the crawl space. Squirrels, I betcha. They get in through roof vents or they chew holes in the soffit. Evil little buggers.”

He hoisted the crowbar and slammed its hooked end into the back wall of the closet. A chunk of the wall came away with a screech. It wasn’t plaster and lath, Rick saw, but a flat piece of plywood, ten or twelve inches across, a couple of feet long.

“Here she comes,” Jeff said. “Easy.”

Jeff stepped aside as the long board toppled to the closet floor in a cloud of plaster. A tall hole had opened in the back wall of the closet, too narrow to get through, but enough to glimpse the dim interior. There was a scree sound and a quick pitter-patter, like rain on the ceiling, the mad scrambling of small creatures.

“Squirrels,” Jeff announced. “Knew it.” He coughed. “Whoa. Gross.”

Rick stepped closer to get a look.

“Hate squirrels,” Jeff said. “Nothing more than furry-tailed rats.”

Then he jammed the crowbar into the wall once more and ripped out the adjoining board. It squealed as it came out, nails screeching against wood, and clattered to the floor.

“No plasterboard here,” Jeff said. “Strange. Like they just painted over this plywood.”

“What is it, a nest?” Rick asked. “I don’t want the goddamned squirrels running around inside the house.”

“Nah, if there’s a nest, it’s probably on the other side of the house. This right here is their latrine.”

“Latrine?”

“Squirrels don’t soil their own nests usually.”

“Think they’re still in there?” Rick asked.

“Maybe, maybe not. If they’ve got babies in the nest, they’re not leaving.”

“So now what?”

“Trap ’em, that’s the best way. Or chase ’em out of here. Then seal up the holes with hardware cloth or steel mesh.”

Rick could now see into the crawl space a little more clearly. In the faint, dappled light—from a lot of little holes in the roof, he guessed—a pile of some sort was silhouetted, a heap a few feet tall.

“Careful where you walk, there, dude,” Jeff said.

Rick took a few more steps, through the opening, into the crawl space. He hunched over—because of the steeply pitched roof, there wasn’t enough room to stand.

“You know,” Jeff said, “if you want to open up some of these walls up here, we can get some more square footage on this floor. Bedroom nook, a kid’s room, whatever. Could even put in skylights—that would be nice. I’ve had good luck with Velux Cabrio balcony roof windows.”

As Rick’s eyes adjusted to the dark, he moved closer to the pile. A black plastic tarp, on top of what were probably boxes. Now the boarded-up section of the closet wall made sense. At some point in the century or so of the house’s history, the crawl space, normally wasted space, was used for storage. Maybe it was accessed through the closet. A trapdoor, a removable panel, was put in. Maybe it was part of the original construction.

“Careful in there,” Jeff said. “I’ve seen squirrels attack people, you know. They don’t even have to be rabid. You invade their nest . . .”

Rick tugged at one corner of the tarp, but it wouldn’t lift up; it was stapled to another piece of tarp. He yanked harder this time, and a couple of staples popped and sprinkled to the floor, and now he could see inside.

“Jesus,” he said.

He looked again. What he saw didn’t register.

“You get bit?” Jeff said with a cackle.

The light in there was bad, but there was just enough to make out the engraved number 100 and Ben Franklin’s face. It seemed a mirage. He stuck his hand into the hole in the tarp and pulled at the first thing he could grasp.

A wad of hundred-dollar bills, it looked like. A band bisecting the packet, printed twice with the number $10,000.

His hand was actually trembling, he realized.

“Dude, what is it?” Jeff said.

“Nothing,” Rick said.

2

His first instinct was to conceal. Without even thinking about it, he swiveled, placing his body between Jeff and the tarp-covered heap, blocking Jeff’s view.

. . . view of what?

Whatever was in that hulking pile, a couple of feet high by maybe four feet wide, Rick knew what was on top of it: packets of money. Packets of hundred-dollar bills. Maybe not the whole pile; that would be crazy, flat-out inconceivable. Packets of money atop . . . what? A pile of papers, maybe files.

The whole pile couldn’t be cash. That wasn’t possible. He tossed the packet back onto the heap.

He couldn’t think clearly. He needed to look again, but without Jeff around. Because what he’d seen had blown his mind. He’d held, in his very own hand, ten thousand dollars. A hundred hundred-dollar bills. In one single packet. And that was just the top of the pile.

Money that obviously wasn’t his father’s, because Len had no money.

“Looked like cash you were holding there,” Jeff said. Something about his tone, lower and insinuating, had changed. He sounded more aggressive.

A shadow obscured his face. Rick couldn’t see his eyes.

Rick tried to give a dismissive chuckle, but his mouth was dry and it came out hah, more scornful than he intended. “I wish.” He clambered out of the opening in the wall, forcing Jeff to back up out of the way. “Bunch of old register receipts is what it is.”

“Well, let’s drag it out here into the sunlight.”

“Another time.” Rick sounded weary and bored. He glanced at his watch. “I’m going to need to get going.”

“Well, now, hold on a sec—do we have a deal?”

“In principle, yeah. But we’ve got to talk about what kind of work you’ll be doing, how long it’s going to take, all that.”

“Well, sure.”

“I’m not thinking a gut renovation, just so you know.” Rick put a hand on Jeff’s shoulder, on the coarse cotton duck of his barn coat, guiding him out of the room and toward the stairs. “Minimal destruction. Repairs and improvements, mostly. Second and third floors. Paper over the cracks.”

“I don’t know as I agree about that, Rick. There’s rotten wood all down through the middle of the house. Serious water damage. Probably from a worn pipe boot—water’s been leaking into the ceiling for years. Or maybe it’s from stopped-up gutters or leaking chimney flashing. Rain’s been seeping down into the house for years, making wet spots. Causing wood rot and mold. Gonna have to cut out the rotten wood and plaster in some parts. Not everywhere. Just some parts.”

Rick groaned. “You serious?”

“I’ll take you through and show you.”

Rick shook his head. “I believe you. But I’m gonna want you to draw up a plan. Put it down on paper so there’s no misunderstanding.”

“Sure, sure.”

“How soon could you do it?”

“I could get started on it tonight. Like I said, it’s slow, this time of year.”

“Sounds good,” Rick said.

*   *   *

As soon as he’d gotten Jeff out of the house, Rick rummaged in the kitchen drawers and found a flashlight. He clicked it on but its batteries were dead. He found a D cell battery nestled among an assortment of stray Ziploc sandwich bags and swapped it for one of the old ones, and that provided enough juice to generate a feeble light.

He went back upstairs to his father’s study. Its window looked out onto the Hollenbecks’ yard, which meant that Jeff could see into the room. But pulling the venetian blinds closed would cast the study into darkness, and the overhead light was burned out here, too. It also would look strange for him to pull the blinds, as if he were trying to hide something from Jeff.

He left them open and returned to the crawl space. It still smelled of squirrel urine, but now he barely minded. He directed the sputtering beam of watery light at the tarp-covered pile. He yanked at the tarp, hard, and popped some more of the staples. He pulled the flap back and shone the light to see what was there.

It was a neat square stack about a foot and a half tall and maybe two or three feet per side. It gave off a musty odor. From what he could discern, by directing the failing light back and forth over the pile and lifting random packets, it was all banknotes. Top to bottom.

He was able to count 398 packets before the flashlight died. Most of them—290 packets—were hundred-dollar bills; the rest—108 packets—were fifties. He found a dog-eared gas station receipt in his wallet and scrawled a calculation on it. The total was 3,440,000 dollars.

More than 3.4 million dollars.

He felt a strange vertiginous sensation, as if he were plummeting headfirst into space. His head was spinning, swimming. He picked up one of the packets of hundreds and rifled through it with his thumb. He inhaled its musk. He could smell mildew and tobacco, solvent and ink and sweat. Some of the banknotes looked as if they’d never been circulated: They were crisp and unmarked. Others were dog-eared and creased.

He glanced at the off-center engraving of Ben Franklin on the front of the banknote, with shoulder-length hair and a constipated expression. It certainly looked legit, not counterfeit, though he was no expert.

How long had this pile been walled up here? The bills looked new—uncirculated, anyway—but they’d probably been inside the wall for a few decades.

He only knew he couldn’t leave them here.

3

He grabbed a handful of plastic supermarket shopping bags from the broom closet—a couple from Star Market and a couple from Whole Foods, from the old days, when they used to give out plastic bags. The packets of cash fit into six bags, but when he tried to lift one of them, the bag broke and the cash tumbled to the floor. He doubled each bag, then hauled them downstairs two at a time, handling the flimsy bags gingerly. When he’d gathered them at the foot of the staircase, he tested carrying two at a time. Not possible; the weight he could manage, but the cash was too bulky. He didn’t want to risk a bag failure between the house and the car, cash spilling across the driveway.

Especially if Jeff were watching from next door. Why the hell wasn’t he off on a job somewhere, renovating a Watertown condo or building a spec house? What did he do all day when he didn’t have a job scheduled?

The trunk of his old red BMW 3 Series—the red had been a mistake, one of a long line of mistakes; cops really did go after red cars more often—was stuffed with crap. A gym bag, a pile of magazines he’d optimistically planned to read on the elliptical trainer, a set of jumper cables. He rearranged the junk, jamming old Entertainment Weeklys and Back Bays as far back as possible, until there was room for the six bagsful of cash. Then, after looking around outside to make sure Jeff—or anyone else—wasn’t for some reason watching, he trundled the bags carefully to the trunk.

Then he got into the driver’s seat and sat there, thinking for a moment of where he might take 3.4 million dollars for safekeeping. The obvious place, of course, was a bank. A safe-deposit box. He didn’t have one; all he knew about safe-deposit boxes was what he’d seen in the movies and on TV. He seemed to remember a standard size of a few feet long by maybe eight or ten inches wide. Did they come in larger sizes? He assumed you could request a larger one if you wanted.

His bank had a branch office in Harvard Square. He started the car and maneuvered down Clayton Street to Huron Ave, and then over to Garden Street toward the square. He’d begun to think more clearly now, and he started having second thoughts about carting six grocery bags of cash into the Bank of America. Was it even legal to store cash in a safe-deposit box? He pulled the car over to the shoulder in a no-stopping zone and switched on his blinkers.

He loaded the Safari browser on his phone and searched. The answer wasn’t clear. Banks had to notify the IRS of any deposits of more than ten thousand dollars. But that referred to deposits into bank accounts. Not stashing away packets of cash.

Still, in this post-9/11 age, banks probably had to pay close attention to the movements of large quantities of cash, right? In case it was connected to ill-gotten gains? Maybe the US government could even confiscate your cash if it thought you were engaged in criminal activity. He wasn’t sure, but it wouldn’t have surprised him if that were true.

If he wandered into the Harvard Square branch of the Bank of America toting six shopping bags full of cash, mostly hundreds, that was as good as blowing a trumpet and announcing to the world that he was a coke dealer. He would be observed, no question about it—how could any banker who wasn’t too busy texting or checking her Facebook page fail to observe him carrying in a load of cash? Then the teller would summon the assistant manager, and . . .

It no longer seemed like such a good idea to bring all this cash into a bank.

In fact, it didn’t seem like such a good idea to carry his cash anywhere in those crappy supermarket bags. Not just because of the risk of the bags’ splitting, but also because anyone could see their contents. That was just asking to get mugged.

He turned off his blinkers and pulled back into traffic and headed back the way he’d come, then over to Mass Ave, where he found a 7-Eleven. Parking the car in a space he could monitor from inside the store, he quickly bought a box of Glad trash bags (ForceFlex, black, extra strong) and returned to the car. Standing at the trunk, about to pop the lid, he suddenly became aware of how exposed he was.

Any passerby, anyone peering out of a car in the honking, snarling traffic, would be able to see into the trunk. All that cash—that insane, scarcely believable quantity of cash—wasn’t something you wanted to put on display.

He pulled the car out of the space, turned it around, front end out. Safer this way. Now maybe someone inside the store could see, if he happened to be looking. But there seemed to be no one in the 7-Eleven except the cashier. He pressed the button on the remote and the trunk opened, and there they were, six bulky overstuffed shopping bags, the diaphanous plastic strained to the breaking point. He glanced over his shoulder for the third time, reassured no one was watching, and set to work pulling a big opaque black trash bag over each smaller one, jammed with legal tender.

Then he slammed the trunk closed.

He looked around again, just to make sure no one had seen anything, and then he glimpsed a truck lumbering by with COSMOS SELF STORAGE painted on its side, and he had an idea.

*   *   *

Cosmos Self Storage was a tall boxy cinder block building on a short block of matching cinder block buildings off Fresh Pond rotary, a faceless row of automotive glass companies and plumbing supply firms. It looked freshly painted, bright yellow, like a Crayola box. He parked right in front and locked the BMW when he entered. Inside it was cavernous, warehouselike. The storage units were rows upon rows of converted industrial pallet racks. Sitting at a desk behind a window was a young guy with big eyelet piercings in each earlobe. He answered Rick’s questions in a tone that made it clear he’d rather be doing anything other than sitting in a box in a self-storage facility. He slid a clipboard through the slot.

Ten minutes later, Rick had rented the smallest storage unit available. It was located on an upper level, like all the smallest units, reachable only by means of a rolling steel ladder.

Motion-sensor lights came on as he went down the aisle looking for the locker. He found number 322 and pulled the ladder over to it, climbed to the top platform, and tried his key. The lock came open, but it took him a while to figure out how to open the roll-up steel door. Calm down, man, he told himself. He took a deep breath, then surveyed the space. The unit was maybe four feet wide by five feet high by six feet deep. More than enough space. Its interior was clean and dry.

It would do just fine. An anonymous locker in a building where no one seemed to be paying much attention to anyone.

He rolled a dolly out to the parking lot and unloaded the trunk.

Ten minutes later he’d moved all six black trash bags into the storage unit. Even though there didn’t seem to be anyone else loading or retrieving stuff, no one here but the guy with the big holes in his earlobes, Rick still was careful not to open the bags until he was crouched down inside the unit. Not that he needed to. He just wanted to see if the money was still there, if it was still real. He resisted the urge to count it again. Looking around—the coast was clear—he reached into one of the bags and pulled out a few packets and slid them into the inside zippered pocket of his Mountain Hardwear down jacket. Then he grabbed more packets, stuffing one into each of the four pockets. His ski parka was now worth a hundred thousand dollars.

A little spending money.

When he was finished, he rolled down the steel door and locked the Master Lock and glanced around, his heart pounding, sweat droplets breaking out on his forehead. He tugged at the lock a few times to make sure it was secure.

There was probably only one person who would know how the hell all that cash ended up in the house on Clayton Street, walled up in the crawl space. How it got there and what it was doing there.

Only one person.

And that guy—Rick’s dad—couldn’t speak.

4

The whiteboard sign mounted outside Leonard Hoffman’s room said, in big flowery purple letters:

A sign like that hung outside every resident’s room at the Alfred Becker Nursing and Rehabilitation Center. It was meant to remind the nursing staff that their charges were real people with real families and lives, give them something to chat about.

All the nurses and health care aides acted as if they liked Len a lot, probably because that was part of their job, to make visiting family members think that each Dad or Grandma was their very favorite. Which had a certain piquancy to it. Because if Leonard Hoffman did have the power of speech, they’d all love him for real.

He’d had what people called an outsize personality. He was endearing, funny, corny. He loved women, flirted with them in a way that was flattering, that didn’t seem at all icky, especially coming from an older guy. Women were always “girls” to him. They were “honey” and “sweetheart” and “doll.” If a massive stroke hadn’t robbed him of his ability to wheedle and charm, he’d have the nurses glowing around him, wagging their index fingers, mock chiding. He could never resist a pun or a groaner. Leonard, in full command of his speech, would have asked the squat dark-haired nurse Carolyn, with a wink, “You sure you’re not Greek? ’Cause you look like a goddess to me!” He would have told the sloe-eyed nurse Jewel, the Saint Lucian beauty, “You must be Jamaican—Jamaican me crazy!”

And they would have loved it.

He’d been something of a lady’s man, in his day. He was always a flamboyant dresser, favoring bold striped shirts and double-breasted pinstriped suits like Al Capone might have worn and bright ties with matching pocket squares.

Now he wore drawstring pants and a pajama top.

But life wasn’t like To Kill a Mockingbird. Lenny wasn’t exactly Atticus Finch, and Rick wasn’t Scout. There was nothing soft-focus about their relationship. It was tense, distant, frustrating.

“You haven’t touched your lunch,” Rick said.

The meat loaf was a revolting beige, the peas a hideous electric green. Len, pre-stroke, would have patted his food with his fingertips in response and said, “There, I’m touching it.”

But Len now just looked at Rick balefully. His expression rarely changed. He had a penetrating, almost horrified stare, as if he’d just glimpsed something blood-curdling. Rick visited his father almost every Sunday, had done so as often as possible since the stroke, but he still couldn’t get used to his father’s harrowed expression.

“Actually,” he said, “I don’t know how they expect you to eat that shit. But they’re not going to let me give you any ice cream if you don’t eat your meat loaf.”

His father turned his head toward the window and watched the Brookline traffic, a gob of spittle on the left side of his mouth. Rick took the napkin from his lunch tray and daubed the spit away.

It had been a bumpy ride since Len’s long-suffering, loyal secretary, Joan, had discovered him sprawled out on the floor in his office after lunch one day eighteen years ago. An ambulance had rushed him to Mass General, where they determined he’d had what they called a “left-side blowout.” His left internal carotid artery, stiffened and gummed up from seven decades of steaks and ice cream, had burst, cutting off blood flow to most of the left hemisphere of his brain. He had a huge lesion in the frontal, temporal, and parietal lobes.

They put him on a ventilator, explained that he was likely now a global aphasic—meaning he couldn’t speak, probably couldn’t read or write, and they didn’t know how much he understood of what was said to him. Rick figured his father would be a vegetable. Wendy, being younger, deferred to her brother on all decisions.

After a week, Leonard was shunted to a rehab facility, where he seemed to make progress for a while. An occupational therapist had taught him to walk again, which he did now in a frantic, staggering way, swinging his stiff right leg around in a circle. Most of the time he used a wheelchair. His right arm didn’t work anymore. The right side of his face drooped. A speech pathologist, a large black woman named Jocelyn, tried in vain to get him to communicate. It didn’t look good.

Then one day, Jocelyn grabbed Rick in the hall outside his father’s room and said, “He understands. I know he does.”

She pulled him into the room and demonstrated by putting some objects on the table in front of Len. A key ring, her watch, her glasses. “Leonard, would you please look at the watch?” she said.

Len moved his eyes to the right and stared, unmistakably, at her pink Fossil.

There was, Rick thought sadly, someone inside there.

But apart from that one parlor trick, Len seemed to make no progress, and a month later he was moved to the nursing home to sit in a wheelchair all day in front of the TV. Rick still had no idea how much his father understood when you talked to him.

He was unshaven this morning, or maybe just poorly shaven, clumps of gray beard scattered here and there like tumbleweed on his chin and his sunken cheeks. His fingernails were long and ridged and yellow, badly in need of clipping.

“Hey, Dad, I’m having some work done to the house.”

Len turned and looked in his direction. His expression was hostile, disdainful, the way he constantly looked these days.

Talking to his father felt like talking to himself, except that Rick kept some topics—Holly and all that, the flaming wreck of his career—carefully off-limits.

“You remember Jeff Hollenbeck next door? He’s a contractor now, and he’s going to give me a good price.”

Len stared, blinked a few times.

“Remember I said we’re going to sell the old place, now that no one’s living there anymore?” He sidestepped the fact that he was sleeping on Len’s couch. That was too depressing to talk about; Len didn’t need to know.

“So I wanted to ask you something.” He watched Len’s eyes. “I found something inside . . . inside the house.” He waited a beat, glanced back at the door, then back at his father. “Inside the walls. Next to your study.”

“I thought it was Rick!” a loud female voice exclaimed. Rick turned, saw the aide he liked the most out of all of them, a heavyset blonde named Brenda, swoop into the room. She was probably fifty and wore her thick glossy hair in a pageboy. She wore baby-blue scrubs and had rhinestone-speckled harlequin glasses, which seemed to be an artsy affectation. The rhinestones glittered in the light from the ceiling. She smiled her big gummy smile. “Wait, it’s not Sunday, is it?”

“Nah, decided to shake things up a bit.”

“Phew, I guess I’m not losing it after all.”

“My dad treating you okay?”

“Your dad’s a sweetie,” she said. “We all love Leonard.” They both knew that Brenda had no idea what Len was like, whether he was a sweetie or an ogre. The man didn’t talk, didn’t even react. But Rick appreciated her saying it just the same.

She glanced at her watch. “It’s almost time for Judge Judy, and I know he doesn’t like to miss that.”

“Dad and I are going to talk just a little more.” His father had never watched Judge Judy or any other court show, back when he was able to voice his opinion; he doubted Len liked it now. And if he did, he had no way of letting anybody know.

“Leonard, what about your lunch, honey?” she said. “Not hungry today?”

“I don’t think he’s a big meat loaf fan.”

As Brenda began to leave, Rick asked, “Do you have a pair of nail clippers?”

“Of course.” She swiveled to one side and plucked a pair of clippers out of a dresser drawer, handing them to Rick with a flourish.

“Let’s see your hands, Dad.” He took hold of Len’s left hand and began to clip his father’s thick, grooved nails, and Brenda drifted out of the room.

Rick clipped slowly. His father held out each hand, one at a time. It felt oddly intimate. It was like taking care of a small child. He thought about how everything sooner or later comes back around. He realized with a jolt that his eyes had teared up.

He stopped clipping. “Jeff and I were doing some exploratory demolition,” he said quietly, “and we opened up the wall next to your study, at the back of the closet.” Len’s mouth was frozen in that haughty expression, but his watery eyes seemed anxious. They followed Rick’s. “There was money back there. A huge amount of money. Millions of dollars. How did it get there, any idea?” Rick swallowed, waited. “Is it yours?”

Len’s restless eyes came to a stop, looked directly into Rick’s.

“Is it?”

The old man’s eyes bore into his. Then he began to blink rapidly, three or four times. Nervously, maybe.

“Are you signaling me, Dad?” His father was able, at times, to blink: once for yes, twice for no. But not always, and not consistently. Did he sometimes lose the ability; did it wax and wane? Or did he grow weary of trying? Rick had no idea.

The blinks stopped, then resumed after a few seconds.

“How about you blink once for yes and twice for no. This cash I found—is it yours? Once for yes, twice for no.”

Len looked straight, unblinking, into Rick’s eyes, held his gaze for a few seconds.

Then blinked twice.

“No,” Rick said. “It’s not yours, correct?”

Nothing. Then one blink.

Yes.

“Okay, we’re getting somewhere.” Rick’s heart rate began to accelerate. “Do you—do you know whose cash it is?”

Nothing. Five, ten seconds went by, and Len didn’t blink. He looked away, then blinked a few times, but it didn’t seem to mean anything.

“Dad, who does it belong to?” Rick asked, before remembering he couldn’t ask a question that didn’t have a yes or no answer. “Let me try again: Do you know whose cash it is?”

Now Len blinked rapidly, not just once or twice. Many times, too many to count.

It was hard to tell, but he looked frightened.

5

He had a hundred thousand dollars in cash burning holes in his down parka and no room on his credit cards. His Citicard MasterCard, his Bank of America Visa, his Capital One MasterCard—all maxed out, all as worthless as Confederate dollars.

He was carrying around an insane amount of cash, with many times that sitting in a storage locker, in a world where fewer and fewer people took cash anymore. Who used cash in any serious quantity? Drug kingpins and Mafiosi. Criminals. The infamous Boston mobster Whitey Bulger, hiding out in Santa Monica, paid his rent in cash, Rick had read somewhere. Sure, you tip bellhops and parking valets with real money. But buy an airplane ticket with cash and you’ll have Homeland Security crawling up your ass.

He drove to Harvard Square and circled around for ten minutes, looking for a parking spot, before he realized he could now afford to park in that damned overpriced parking lot on Church Street. At the Bank of America branch next to the Harvard Coop, he deposited nine thousand dollars into his checking account. Then he opened an account at Cambridge Trust bank, across the street, and deposited nine thousand five hundred dollars into it. As long as he kept deposits under ten thousand bucks, he’d be fine. He saw a sign for Citizens Bank on JFK Street and stopped in there.

Now he had 28,500 dollars in three separate bank accounts, with temporary checkbooks to go with them. It seemed like a small fortune.

By the late afternoon he was back at the house. The side door off the driveway, which opened into the kitchen, was unlocked. Strange. He didn’t remember leaving it unlocked. He wondered if Jeff had.

When he opened it, he noticed a file folder that had been shoved under the door. He picked it up and flipped it open. It contained a stapled thatch of papers on Hollenbeck Construction letterhead.

It was a construction proposal, clearly done on some template, listing the scope of work. Demolition and renovation, the dates when work was to begin (tomorrow!) and completed (the end of March). A lot of legal gobbledygook.

And a standard payment schedule, including deposit. The cost was reasonable, but there was no mention of any sort of barter deal. Nothing about his doing the work and getting paid from the proceeds of selling the house.

All payments to be made in cash, starting with “Deposit: $8,000.”

If there was any doubt about whether Jeff had seen the cash, there wasn’t any longer.

He hesitated, thought about arguing with Jeff, then decided it wasn’t worth it. He pulled out a pen and signed each copy of the agreement. Then he stepped outside. Jeff’s house had been unimproved for decades, except for an exterior paint job not that long ago. The side door to his house also opened into the kitchen. Jeff’s kitchen, with its sheer curtains on the door and yellow wallpaper patterned with miscellaneous fruits, its Kenmore range and refrigerator, looked perfectly preserved, identical to the way it had looked when Rick and Jeff were kids. Rick slipped the copies of the contract under the door, along with a check written on one of the new bank accounts. He thought about knocking on the window and asking about the change, the money terms they hadn’t agreed to, but decided it was better not to get into it. Jeff had seen something; he’d seen the money, that was obvious. But it was only a glimpse. He had no idea how much there was.

Rick was already zipping up his sleeping bag and arranging himself uncomfortably on the couch when the realization hit him, like a clap of thunder: He didn’t have to stay here anymore. He didn’t have to live like the impoverished, scraping person he used to be. He could stay in a hotel. He could stay in the Four Seasons if he wanted to.

Tomorrow he’d find someplace decent to stay. Tonight he’d relish his last night in the sleeping bag on the leather sofa in his father’s office. Now that he had a choice whether to sleep here or not, he could think of it as slumming, as camping out.

He got back off the couch and walked through the rooms on the ground floor. It smelled faintly of natural gas down here—not squirrel piss—but not alarmingly so. An odor put out by the gas stove, maybe a minuscule leak from the pilot. Behind the stove, the wallpaper was scorched where there’d been a cooking accident years ago. A grease fire from when Wendy had experimented with deep-frying a turkey.

He found the place outside the kitchen pantry where his and his sister’s growth was recorded in horizontal lines made with pen or marker. They’d stopped measuring by the time he and Wendy got to high school. Maybe he and his sister had refused to submit to the indignity any longer, the ruler on top of the head, all that. He didn’t remember anymore.

He had no nostalgia for the house but couldn’t help feeling a slight pang when he saw those lines. RICK—MARCH 2 ’85—50" . . . RICK—NOV. 14 ’92—64" . . . Between the ages of seven and fourteen he’d had his major growth spurt. The marker on the pantry wall showed it. Soon that would be gone, the wallpaper stripped off, the walls repainted, along with the scorch mark in the kitchen and the divots and dings and scrapes of a house where two kids had grown up.

He went back upstairs, turning off the lights behind him. He cranked up the space heater and settled down to sleep on the leather sofa.

In the middle of the night a creaking noise woke him up.

He opened his eyes. The only light in the room came from the streetlight on Clayton Street. The noise had sounded as if it came from inside the house, maybe down one flight.

Someone on the stairs?

He waited, listened. The house was old and had always made odd, random settling sounds throughout the day, like an old person sitting down stiffly in an armchair. You noticed it more at night when everything was quiet. That was probably all it was.

He turned over, closed his eyes. The leather sofa squeaked as he moved.

He heard it again, and this time it definitely seemed to be coming from the stairs. The sound of a footstep, a heavy tread taken carefully. No mistaking it.

He sat up, felt his heart start clattering, slipped out of the sleeping bag, and then got to his feet softly, quietly. He listened.

Another creak.

It sounded as if it was coming from right outside the closed door to his father’s study. He slid barefoot along the floor, carefully—the floor in here creaked just as much as the stairs—until he reached his father’s desk. He looked for a weapon, or something that could function as a weapon. There was his father’s ancient computer, an IBM, under a plastic dust cover. He slid open the center drawer, looking for something, a pair of scissors, a paper cutter, a stapler, something heavy or sharp. Nothing—just some old pencils. A sharp pencil could be used as a weapon, but you had to get close up, if it came to it, and that he preferred not to do.


The Fixer (Thorndike Press Large Print Basic Series), by Joseph Finder

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61 of 65 people found the following review helpful. "I'm just a guy who wants to know how the story ends." By Cheryl Stout Sometimes, as a reader, you come across a story that is "just right." Everything works in this mythical book - the characters, the storyline, the dialogue and most importantly, the ending. Well, to me THE FIXER is just such a story.I found myself carrying this book around so I could read it every little chance I got. And, sadly, I'm a fast reader so I breezed through the book and am now just left with the memories of it. Sounds corny, doesn't it? But with a really good book you hate to see the ending roll around because you know it'll probably be a while before another winner shows up on your bookshelf.Rick Hoffman had been living the good life. He had a great paying job as a reporter, nice home, fancy fiancée on his arm. Then he lost his job and everything else just followed.So he ends up back in the family house that has been sitting empty for years. And the house is in terrible condition. When Rick starts poking around, trying to figure out what repairs are needed, he comes across a PILE of money hidden in the walls. And so his journey starts, trying to find out:1. How the money got there.2. What his father knew about the origins of the moolah.And this is a treacherous trip he embarks on because there are those out there that don't want his questions answered. But Rick has been an investigative journalist and, despite the dangers involved, wants answers.As always, author Finder writes compelling prose, drawing the reader in. I wanted the answers too as I read the story.Believable flawed characters, a relentless storyline, masterful dialogue - this is a thriller that is one of Finder's best (and that's saying a lot).

60 of 66 people found the following review helpful. An Unsympathetic Protagonist, Unpolished Writing By Barbarino I'm adding a SPOILER ALERT as requested by another reviewer. Please be advised that this review and the comments following it may reveal plot points. Thank you.I had a difficult time with this novel, I didn't find the protagonist likeable or sympathetic. Rick Hoffman's father Lenny, had a stroke 18 years ago. When Rick begins a renovation on his father's home he finds millions of dollars between the walls. The first thing this supposedly former investigative journalist does, isn't to go look for whose money it is and where it came from, but rather to adopt a finders keepers attitude and spend it as if it's his own. And not in a modest way but in an unnecessarily lavish way, in an attempt to impress an old girlfriend.Later we learn that "a few weeks ago he didn't care that his father couldn't speak. the Lenny he'd grown up with was gone, replaced by a gaunt, spectral Lenny who bore no relation to his actual father. So for the last twenty years he'd parked this replacement Lenny in a nursing home, just waiting for him to die a quiet and anticlimactic death. Until it turned out that there was a lot of money at stake." Which made me dislike the guy even more than I had before.Beyond the fact that I didn't care for the protagonist I found the unraveling of the mystery to be more comic than suspenseful. There is a clue in his father's planner that someone named P was involved with the money and where it came from. Supposedly he looks into who P could be but for some reason doesn't look at his father's old computer which is still in the house. He's also a bit of a slow learner as far as the bad guys go, instead of erring on the side of caution when he thinks he might have someone tailing him, he generally tends to talk himself out of thinking they're on his trail and time and again his location is discovered.He's so self centered that he never talks to his sister about their father's health and medical treatment until he needs to call her and ask her for a piece of information related to the money and then only mentions their father as an after thought. At one point he's saved by some less than likely heroes, in a scenario which was not at all believable. He, of course, runs into more trouble later and gets help from the old girlfriend he was trying to impress, then sneaks away without saying goodbye or leaving a note.I finished this book but didn't find anything enjoyable about it. The writing lacked any polish at all, the dialogue was uneven and the whole story felt more like a rough draft than a finished novel. I thought this was going to be an edge of your seat speed through without sleep kind of book. Unfortunately it wasn't anything like that.

19 of 22 people found the following review helpful. "You're messing with some heavy hitters." By E. Bukowsky In "The Fixer," by Joseph Finder, Rick Hoffman returns to his childhood home in Cambridge, Massachusetts, after an absence of sixteen years. The house is a wreck, with a "decaying interior," animals scurrying behind the walls, and junk piled up everywhere. Rick gloomily takes stock of what he has left after he was fired from his job and his fiancée dumped him. Unexpectedly, he stumbles on an incredible discovery that could change everything. He starts to behave like the investigative reporter he once was, and decides to dig into his father's past. He hopes to learn what secrets the former lawyer was keeping from his family.Although this book follows a well-worn formula--a young man who has a crisis of conscience seeks answers to troubling questions--it is a compelling and suspenseful page-turner. Rick, the admirable but imprudent central character, is stunned to learn that Leonard was a "fixer," someone who helped well-heeled people get out of tight spots in return for a handsome fee. In spite of everything, Rick loves his dad, who is disabled and has been unable to speak since he had a stroke eighteen years earlier.Finder writes clear, succinct, and uncluttered dialogue, keeps exposition to a minimum, and moves the action along at a steady clip. Be warned that this book requires a sizeable suspension of disbelief. For example, Rick gets his hands on crucial records that go back a long way; no one seems to throw anything out. In addition, he is able to track down key witnesses who are conveniently available when he needs important information. Finally, our hero, who until now has not been particularly courageous, risks his life in order to expose the misdeeds of powerful and influential villains. To his credit, the author poignantly explores the emotional bond between Rick and Leonard. In addition, he exposes the lengths to which some individuals will go to cover up their despicable crimes. On the whole, "The Fixer" is an entertaining and engrossing novel that will please fans of contemporary thrillers.

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The Fixer (Thorndike Press Large Print Basic Series), by Joseph Finder

The Fixer (Thorndike Press Large Print Basic Series), by Joseph Finder

The Fixer (Thorndike Press Large Print Basic Series), by Joseph Finder
The Fixer (Thorndike Press Large Print Basic Series), by Joseph Finder

Rabu, 28 Juli 2010

American Fairy Tales, by Lyman Frank Baum

American Fairy Tales, by Lyman Frank Baum

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American Fairy Tales, by Lyman Frank Baum

American Fairy Tales, by Lyman Frank Baum



American Fairy Tales, by Lyman Frank Baum

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American Fairy Tales is the title of a collection of twelve fantasy stories by L. Frank Baum, published in 1901 by the George M. Hill Company, the firm that issued The Wonderful Wizard of Oz the previous year. The cover, title page, and page borders were designed by Ralph Fletcher Seymour; each story was furnished with two full-page black-and-white illustrations, by either Harry Kennedy, Ike Morgan, or Norman P. Hall.

American Fairy Tales, by Lyman Frank Baum

  • Published on: 2015-06-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .13" w x 6.00" l, .19 pounds
  • Binding: Paperback
  • 50 pages
American Fairy Tales, by Lyman Frank Baum

About the Author American author and dramatist, Baum is famous as the creator of children's classic tale, The Wonderful Wizard of Oz (1900). The magic of Oz was continued in thirteen more novels; the final book, Glinda of Oz, being published posthumously. Baum started writing as a young boy and his early literary efforts included the initiation and publication of two magazines: The Rose Lawn Home Journal, and The Stamp Collector. He loved the theatre and acted in many plays under the name Louis F. Baum. He himself wrote several plays, of which The Maid of Arran is regarded as the best. Baum also edited and wrote for the Aberdeen Saturday Pioneer. Being a prolific writer, Baum wrote more than 60 books in his lifetime. Using several pen names like Edith Van Dyke, Floyd Akers, and Suzanne Metcalf, he penned several popular books including the Aunt Jane's Nieces series, and the Boy Fortune Hunters' series. His other books include Mother Goose in Prose (1897), Songs of Father Goose (1900), Dot and Tot of Merryland (1901), The Magical Monarch of Mo (1903), Queen Zixi of Ix (1905), and Sky Island (1912).


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39 of 42 people found the following review helpful. Not the Best Edition By D. Scott This is a wonderful book for anyone with a taste for humorous fantasy. The stories are short and well written. There are no illustrations in this particular edition. Be aware of that, if you like the book enough, and consider finding a more robust printing to love and keep on a book shelf. Ultimately, though, any reader will find an extremely enjoyable read here.

34 of 40 people found the following review helpful. Stories with a moral AND interesting illustrations By A Customer This book gives interesting stories with a moral at the end of each story and has illustrations on each page. The stories vary in length but can be read quickly due to the author's writing style. While different from "Oz" books, these stories are still a lot of fun.

35 of 43 people found the following review helpful. This book is full of great stories for kids, ages 1-100 By A Customer This book, written by Lyman Frank Baum, author of The Wizard of Oz and many other Oz books is possibly his greatest work ever. Everyone should read this classic book of American fairy tales

See all 69 customer reviews... American Fairy Tales, by Lyman Frank Baum


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American Fairy Tales, by Lyman Frank Baum
American Fairy Tales, by Lyman Frank Baum

Sabtu, 24 Juli 2010

Buell Journey to the Whiteclouds, by Wallace J. Swenson

Buell Journey to the Whiteclouds, by Wallace J. Swenson

You could carefully add the soft documents Buell Journey To The Whiteclouds, By Wallace J. Swenson to the device or every computer unit in your office or home. It will aid you to consistently continue checking out Buell Journey To The Whiteclouds, By Wallace J. Swenson whenever you have leisure. This is why, reading this Buell Journey To The Whiteclouds, By Wallace J. Swenson does not give you issues. It will certainly offer you crucial resources for you that wish to start composing, covering the similar publication Buell Journey To The Whiteclouds, By Wallace J. Swenson are different publication area.

Buell Journey to the Whiteclouds, by Wallace J. Swenson

Buell Journey to the Whiteclouds, by Wallace J. Swenson



Buell Journey to the Whiteclouds, by Wallace J. Swenson

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"For Fans of: Larry McMurtry, Cormac McCarthy, and Johnny D. BoggsBuell opens with a death threat and ends with a promise of a new life. In between, Buell Mace, a confused and guilt-ridden young man, longs to be loved but fears affection more than death."

Buell Journey to the Whiteclouds, by Wallace J. Swenson

  • Amazon Sales Rank: #1485780 in Books
  • Brand: Swenson, Wallace J.
  • Published on: 2015-06-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.60" h x 1.30" w x 5.70" l, .0 pounds
  • Binding: Hardcover
  • 307 pages
Buell Journey to the Whiteclouds, by Wallace J. Swenson


Buell Journey to the Whiteclouds, by Wallace J. Swenson

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4 of 4 people found the following review helpful. Engrossing Tale By Kindle Customer Wallace Swenson was a member of our critique group, and we listened to the infant chapters of his "Buell" books over the course of several years. As I devoured "Journey the White Clouds" upon receiving it, I could still hear Wally's voice ringing with the excitement of the narrative. Sadly, Wally passed away just months before this book was released, a goal for which he had long struggled. My hope is that the publisher carries out their original intention to publish the entire series of this outstanding author's works. I will buy every new edition.

4 of 4 people found the following review helpful. Magnificent read By its Jess Loved this book. Great dialog and well developed characters. It felt like I was right there with them sitting on a horse in a time gone by.

3 of 3 people found the following review helpful. It is a "Northwestern" written with great skill and an honest feel for the Idaho-Montana wilderness ... By seahawk 'Buell' is not a "Western" in the usual sense. It is a "Northwestern" written with great skill and an honest feel for the Idaho-Montana wilderness by a man who was born and raised in the country about which he writes. Swenson spins a great tale about the gold mining days and his characters are well developed and true to life. It's as if he knew them personally. This is a book for all ages and I highly recommend it.

See all 7 customer reviews... Buell Journey to the Whiteclouds, by Wallace J. Swenson


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Buell Journey to the Whiteclouds, by Wallace J. Swenson

Buell Journey to the Whiteclouds, by Wallace J. Swenson

Buell Journey to the Whiteclouds, by Wallace J. Swenson
Buell Journey to the Whiteclouds, by Wallace J. Swenson

Jumat, 23 Juli 2010

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Jumat, 16 Juli 2010

Shaking Out the Dead, by K.M. Cholewa

Shaking Out the Dead, by K.M. Cholewa

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Shaking Out the Dead, by K.M. Cholewa

Shaking Out the Dead, by K.M. Cholewa



Shaking Out the Dead, by K.M. Cholewa

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“K.M. Cholewa is a muscular writer. Everyone will find a character to identify with in SHAKING OUT THE DEAD and it won’t be the same for everyone. Read it with a friend. Read it in a book group. You’ll want to talk about it. Cholewa’s writing is hard to put down. Praise for a strong voice in literature!” – Leah Joki, author of Juilliard to Jail “Tight, implacable, penetrating, honest. Sometimes, because they have to, the characters flinch, but never the prose…This is a brave and ambitious book.” – Mark Costello, author of The Murphy Stories “I highly recommend this novel to anyone daring to meet this wonderful cast of characters and fall into their world that is as rich as the real one we live in.” – Literarily Illumined “SHAKING OUT THE DEAD is a meditative work of dramatic fiction, often compared to the work of Alice Munro (and rightly so), that will remain in readers’ hearts long after the last tear-stained page is turned! Cholewa is a writer to watch and relish very carefully now and in the future! This reviewer believes Cholewa stands in a unique place as a contemporary fiction author! Highly recommended!” – Crystal Book Reviews Geneva is a 62-year-old woman for whom love is a lesson. Paris is a 29-year-old man for whom love is a feat. Tatum is a 34-year-old woman for whom love is a tragedy. But because love is none of these things, none know love. Over the course of four seasons in Southwestern Montana, all of that will change. A poetic journey through the landscape of the human heart, reminiscent of the work of Alice Munro and Richard Ford, SHAKING OUT THE DEAD is a novel that will take residence in your soul.

Shaking Out the Dead, by K.M. Cholewa

  • Amazon Sales Rank: #826318 in eBooks
  • Published on: 2015-06-01
  • Released on: 2015-06-01
  • Format: Kindle eBook
Shaking Out the Dead, by K.M. Cholewa

Review “K.M. Cholewa is a muscular writer. Everyone will find a character to identify with in Shaking Out the Dead and it won’t be the same for everyone. Read it with a friend. Read it in a book group. You’ll want to talk about it. Cholewa’s writing is hard to put down. Praise for a strong voice in literature!”– Leah Joki, author of Juilliard to Jail“Tight, implacable, penetrating, honest. Sometimes, because they have to, the characters flinch, but never the prose...This is a brave and ambitious book.”– Mark Costello, author of The Murphy Stories“Shaking Out The Dead is the product of an author in command of her tools…the story will carry you along to a destination you will not expect.”– The View from the Phlipside“Sharp, poetic and painfully honest, this book is for anyone who has ever loved.”– Cayacosta 72“You will be cheering and crying along with the characters.”– Book Bug“I highly recommend this novel to anyone daring to meet this wonderful cast of characters and fall into their world that is as rich as the real one we live in.”– Literarily Illumined“Shaking Out the Dead is a meditative work of dramatic fiction, often compared to the work of Alice Munro (and rightly so), that will remain in readers’ hearts long after the last tear-stained page is turned! Cholewa is a writer to watch and relish very carefully now and in the future! This reviewer believes Cholewa stands in a unique place as a contemporary fiction author! Highly recommended!”– Crystal Book Reviews

Excerpt. © Reprinted by permission. All rights reserved. By noon, sloppy ice dollops of rain smacked the windshield like bugs. Great gusts of wind shoved the Celica but it bounced back and held its ground. The roads were empty. Tatum’s car buzzed along under the black blanket of sky. Weather-wise, it appeared that the going might get tough so Tatum pulled off the highway at an exit that promised a Genuine Cowboy Town so she could take a break before a potential stretch of white-knuckling it.But the sign had lied. Beyond the Sinclair dinosaur at the exit was a short main drag. The road was dirt and the sidewalks were wood and raised off the street, boardwalk-style. Beyond the stores’ front doors (some painted to look like swinging ones) were pharmacies, beauty salons, hardware and feed shops. The whole place looked closed and deserted, but it was just an ordinary town, quiet, behind a cowboy veneer. Tatum reached the end of the main drag which ended abruptly in a field. She pulled into the last parking slot on the block and got out to stretch. “Guess I better hitch up the car,” she said, pretending to tie it like a horse, trying to get into the spirit of things. They stepped up onto the boardwalk. The dime store had an ancient children’s ride in front of it. An elephant, a pony, and a fish were dressed in circus regalia, saddled and ready to spin in a small circle. “How do you think a fish made it into the circus?” Tatum asked Rachael. The silence that followed was promising. Rachael didn’t answer, but Tatum thought she was considering the question. Acknowledging absurdity is one of the first steps towards healing. “Want to take a spin?” she offered Rachael. Rachael looked at Tatum and rolled her eyes. Tatum didn’t care. She wanted to see its action, hear what little ditty it might play. She dug in her pocket for change. A dime slipped from her hand as she dropped the change into the slot. As she bent to retrieve it, she thought of Paris. He always bothered to pick up stray change from a sidewalk. It wasn’t because he was cheap. It was because he was unwilling to ignore its value. The ride cranked into action. Surprisingly, the ditty was a circus-y version of "Both Sides Now." Tatum would’ve put her money on "When the Saints Go Marching In."“Rock on,” Tatum said, watching it turn.Rachael refused to be charmed. She walked away past the ride to the edge of the raised boardwalk. She looked out onto a knapweed infested field, dead and broken, in the November chill. Tatum stared at the back of Rachael’s head as the elephant, fish, and pony paraded in circles. She was still thinking of Paris and found herself seeing the image of Rachael before her through Paris’ eyes: a child’s silhouette framed on three sides by the wooden walk, the awning above, and the side of the building. The coat open and askew on her shoulders. The kiddie ride in the foreground. The dead field in the distance. But Tatum knew that Paris would see her in the frame, too. He would look at the person looking, see Tatum seeing Rachael. And, if he ever wanted to, he would be able to see Rachael seeing Tatum, too.A sudden discomfort brought Tatum’s hand to her neck. She rubbed at it, unconsciously. Paris would see her through Rachael’s eyes. Through the family eye. Families can reduce us, sum a person up in reference to a single bad day in grade school, or excellent grades in math. The athlete. The smart one. The sensitive one (spoken with a sneer). And, of course, the black sheep. It was bad enough having the family idea of her living in her own head, Tatum thought, but at least there, it could remain secret.


Shaking Out the Dead, by K.M. Cholewa

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4 of 4 people found the following review helpful. Read It and Weep for Joy. I don't think we have seen the last of Kate Cholewa. By Chris Dorsi Montana author Kate Cholewa has crafted a masterful first novel that will change the way you relate to those around you. She has endowed the most unlikely cast of characters--a short order cook, an orphaned child, a Native American undertaker--with both the unerring wisdom of sages and strong doses of human frailty. There is no single protagonist in this tale. The handful of principle characters move through their lives together, sharing their joys and disappointments as best friends and family members do. The reader will often end up rooting for everyone involved. There are indeed stories of death here. Disappointment and heartbreak and betrayal make their appearances, too. But the storyline is woven around the stunningly honest and insightful responses the characters have to these travails, and it almost always rings true. Cholewa has imbedded profound philosophical tidbits into both the narrative and dialogue of this story, and you'll find yourself stopped short, time after time, to go back and confirm that it's true: she has artfully described, and then honestly solved, another mystery of the human existence. And she does it page after page with deft skill. Cholewa builds scenes as would a talented set carpenter. The primary action takes place in only a few venues-two living rooms, a hallway, a backyard, a basement apartment, a downtown diner, a shack in the country-so the reader will gain an intuitive and intimate knowledge each locale. The descriptions of place are stunningly beautiful and apt. The characters imbue each place--and this is an amazing thing about Cholewa's work--with a fabric of existence that is so palpably real you'll sometimes wonder if you've actually been to or dreamt of these places before. It's a potent combination of interpersonal drama and neutral narrative that will catch you off-guard, draw you in, then provide an occasional breather. You'll not read this book with detachment. This book has a soundtrack of sorts. The character Geneva, an endearing and quirky middle-aged woman who lives in half a duplex shared with her best friend, is an expert at musical self-medication. At any juncture in her life she puts on music, searching among an enviable collection of vinyl to ferret out the tune that will properly adjust her perception of the moment:"She zeroed in on the band, Traffic. She owned two of their albums, the same two anyone who had Traffic albums would have, Mr. Fantasy and Low Spark. She pulled Low Spark from the shelf and let it glide from its sleeve. She placed it on the turntable and skipped to the title track....The needle hit the groove and from the friction between the two came the sound of piano and sax, coming on, moving in as though approaching from a distance. Geneva had stepped backward away from the turntable. A puttering of bongos, seeming to mind their own business, did their thing, a self-involved rhythm, while the chords of a piano minded the beat. Geneva dropped her robe over the arm of a chair and stood in the middle of the room where the effect from the stereo was best appreciated. There, she raised her arms forward, slowly, leading with the backs of her wrists. She let them rise to Frankenstein level and held them there, suspended, shoulders relaxing before she released her arms slowly back to her sides. Reaching up, then, out from her hips, she stretched her arms overhead toward the ceiling and then dipped into a hip. The sound was still all sax and chords and bongos as Geneva alternated arms and alternated hips, reaching with one as she dipped with the other. She eased into harmony, into synch, if not with the universe, if not with the voices in her head, then at least with this song. She rolled her shoulders up and back as the vocals broke through.....The stretching, and the hash, did its work on her. She felt her blood in her veins. Body and spirit reintegrated. The combination amounted, for Geneva, to sexuality. Her sense of it. A mixed blessing, it was, to have that pot stirred." This extraordinary story may be a stretch for some readers. It deals face-on with some of the gnarliest mysteries of human behavior. Is it acceptable, for example, to engage in sexual intercourse with your lawfully wedded spouse who is deep in the abyss of Alzheimer's disease? And how exactly do you do so? Under what conditions of desire and charity is it a good idea engage in oral sex in a janitor's closet? And what exactly is the etiquette for those receiving a blowjob? Cholewa crafts the details of these and other encounters with such a loving and insightful touch that you'll be thinking, "Yeah, that's the way I would have done it!" In the course of this story, nearly all the characters stumble over their own feet (with one notable exception, but I won't give it away). Their foibles include abandoning family, spurning love, and floundering in the face of commitment, and though some characters rarely get it right, each manages to craft an occasional epiphany. These usually spring from critical spiritual truisms that are captured in this story far more effectively than they ever were by the original proponents. One warning though: for some readers, the constant delivery of enlightenment may wear thin. I never could figure out, for example, what the Qabalistic Tree of Life had to do with in the story. But I have to admit: the author has crafted such a stunningly accurate and honest take on the complicated mosaic of the human condition, that it's no surprise some of it would have gone over my head. Maybe I'll get it when I read it again. I don't think we've read the last of Kate Cholewa. If Shaking Out the Dead is any indication, her work has the potential to gain a loyal following. Buy a copy of this book so you can tell your friends that you read it as a first edition. Read it and weep, then wake up the next day and notice how things have shifted.

1 of 1 people found the following review helpful. Love is Risky Business! By Viviane Crystal Paris of Montana is not the cowboy image one would expect from his looks; rather, he’s more like a sage or guru whose presence seems to bring peace to whoever crosses his path. That path lies within a diner where late-night drinker, whores, and other riff-raff settle in for the free soup Paris offers. He’s made it a place “to belong” for those who are nameless and have no connection to anyone or anywhere. If one asked Paris what mission he was trying to accomplish, he couldn’t tell – he just did as he saw fit without any fanfare or hope for acclaim! Love is action it appears but is that enough?Tatum’s definition of love and connection is without definition. At the beginning of this novel, she’s rushed off to see her dying sister but unfortunately made it too late. Now all she has is memories and a niece, Rachel, who will be returning to Montana with her as her father says he “needs a break from all this.” Rachel’s anger is palpable; it feels like fury! All that emotion makes it hard for Tatum to mourn the loss of her sister, ironic indeed as there was never much outward love between them. Why did they so dislike, even hate, each other? Tatum reflects that there really isn’t a tangible reason; it’s just the way it was an evolved to an even greater ambivalence! But now Tatum is to be a temporary mother to a young teen who wants nothing more than to be left alone! Mourning the loss of love turns out to be the gigantic obstacle to receiving or sharing love!Genevieve is an older, wise woman who has created her own little independent world, a woman seeking balance and peace in a world where chaos and rejection rule the day, or so it seems! At one point, she realizes that history repeats itself not because we don’t remember but because we torturously repeat the memories and become locked in their destructive, rather than lovely, tendencies. Can she who is such a source of wisdom and peace, albeit starkly expressed, access the same for her own mental and emotional turmoil. But before one stereotypes this woman, beware as she’s one rebel and feisty woman bound to shock readers quite a few times before this memorable story ends.This is the story of those would need love so desperately, how they move closer and closer toward its fulfillment and how it all evolves and then comes to a dramatic conclusion for everyone involved. Tatum is the most honest as she recognizes the cost of letting go and opening up to what could be hers at any moment. The others are too locked in the past but will be shocked into the present in a scene full of unintended agony and violence.Shaking Out the Dead: A Novel is a meditative work of dramatic fiction, often compared to the work of Alice Munro (and rightly so), that will remain in readers’ hearts long after the last tear-stained page is turned! Cholewa is a writer to watch and relish very carefully now and in the future! This reviewer believes she stands in a unique place as a contemporary fiction author! Highly recommended!

1 of 1 people found the following review helpful. I enjoyed so much about this thought provoking book By Jess I enjoyed so much about reading this book. I was drawn in by instantly likable and relatable characters, and then fascinated following them as they tried to figure out how to be good and happy people while dealing with a sometimes rough reality. The overall story was thought provoking and filled with message, but there were also so many interesting ideas infused into the story that you don't have to wait for the end of the book to feel like your mind has been fed. The Montana backdrop, the real moments, and the beautiful thoughts make this story different from anything else I've read. A sometimes sad, sometimes fun, always intriguing book that I highly recommend!

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