Genoa, by Paul Metcalf
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Genoa, by Paul Metcalf
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"[Genoa] invites us to pass our minds down a new but ancient track, to become, ourselves, both fact and fiction, and to discover something true about the geography of time."—William Gass, The New York Times
"Genoa is a spectacular confrontation with Melville's work, the journals of Columbus and molecular biology—all folded into a hallucinatory narrative about two brothers and their different paths through the American century."—Publishers Weekly
"Much like his great-grandfather, Herman Melville, Paul Metcalf brings an extraordinary diversity of materials into the complex patterns of analogy and metaphor, to affect a common term altogether brilliant in its imagination."—Robert Creeley
"A unique work of historical and literary imagination, eloquent and powerful. I know of nothing like it."—Howard Zinn
First published in 1965, Genoa is Paul Metcalf's purging of the burden of his relationship to his great-grandfather Herman Melville. In his signature polyphonic style, a storm-tossed Indiana attic becomes the site of a reckoning with the life of Melville; with Columbus, and his myth; and between two brothers—one, an MD who refuses to practice; the other, an executed murderer. Genoa is a triumph, a novel without peer, that vibrates and sings a quintessentially American song.
Paul Metcalf (1917–99) was an American writer and the great-grandson of Herman Melville. His three volume Collected Works were published by Coffee House Press in 1996.
Genoa, by Paul Metcalf- Amazon Sales Rank: #1119279 in eBooks
- Published on: 2015-06-22
- Released on: 2015-06-22
- Format: Kindle eBook
Review “Metcalf’s masterpiece undermines the idea of authorship while showing a way forward for the novel.”—Stephen Sparks, The Scofield"by cobbling together disparate extracts from a variety of sources, Metcalf has recreated that uniquely readerly revelation of finding in unrelated literature of all kinds resonances and echoes that inform one’s lived experience."— Full Stop“Metcalf’s investigation of the darkness lying at the heart of human existence is bold, unsentimental and unsparing. One of his quotes from Melville tells it all: “Bail out your individual boat, if you can, but the sea abides.”—Lively Arts“Any great book—and yes, Genoa is emphatically great—transcends the tricks in how it was made. It’s hard to explain the unique power of what Metcalf has written; better, perhaps, to simply acknowledge that something powerful is happening. Case in point: I seem to have settled on writing whoa in the margins of many pages.”— Electric Literature"There isn’t much that one can compare [Genoa] to: in both its form and its incorporation of other works, Anne Carson comes to mind, but in broader strokes rather than more specific ones. . . Genoa is a slippery book, a literary collage that nonetheless advances with a startling momentum.”— LitHub“A singular novel, blending history and fiction, Metcalf’s book follows two brothers, one of whom narrates, as passages from the journals of Melville and Christopher Columbus are woven into the story. It works! And is best pondered seaside.”— Vanity Fair“Fascinating and engaging.”—Vol. 1 Brooklyn
About the Author Paul Metcalf (1917–1999) was an American writer and the great-grandson of Herman Melville. His three volume Collected Works were published by Coffee House Press in 1996.
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Most helpful customer reviews
5 of 5 people found the following review helpful. A Multi Level Collage: Meville, Columbus, and Metcalf By V. Soto Genoa is an unusual book. Paul Metcalf engages Herman Melville, Christopher Columbus, and other historical figures in an amazingly parallel streams of fiction and reality which together form their own other picture like three different musical instruments whose voices blend to create a fourth. The picture of Carl's progressive breakdown is sad to see. The war moments are very disturbing. What are the choices made that lead him to where he ends? Paul Metcalf is something rare an original writer. You won't find too many voices like his. Pound used the technique of quotes in The Cantos, using John Adams' writings and Homer, etc. Paul applied this to prose masterfully.
0 of 0 people found the following review helpful. Postmodern Appropriation for Melvilleans By Zendigo This is a great book, particularly for those interested in knowing more about the Herman Melville legacy. The writer of this text is Herman Melville’s grandson, and a good portion of this book showcases the author’s thoughts while forcing himself to come to terms with his place in this legacy. However, this is not a documentary book or a biography, so please don’t dive into this literature with inappropriate expectations.Paul Metcalf’s style is also worth mentioning here. He appropriates text from other writers, in proper form for a postmodernist like himself. For this reason, his writing style reads more like poetry than prose in many instances. I say this because his use of short excerpts breaks down the sentence/paragraph organizational structure in a way that makes it feel less simple narrative and more like quasi-verse.As was mentioned before, Paul Metcalf takes portions of writings from Christopher Columbus’s memoires, segments from Herman Melville’s books and biographies, and fragments from medical journals (along with many other texts) to assist in the writing of his book. Thus, the continuity of Genoa is broken up by sedimentations from all of these texts. On every page, the author executes multiple double carriage returns (implying that the texts are nested amidst one another, as if initiating a chain of block quotes) to emphasize the textual cross-pollination each insertion provides the topic at hand. Some literary critics explain this style as an assemblage or a juxtaposition used to mythologize events. Thus, analogies or similitudes are not merely revealed for their own sake, but serve to further confound events, relationships, and characters in a meaningful way. Another description, this time by Guy Davenport (eminent writer, artist, and critic), describes this style as “architecture,” since a building up or sedimentation of meaning occurs as bricks/layers from many outside texts are integrated together. The connecting mortar is provided by the writer as Metcalf combines all this together to generate a structure precisely organized to produce meaning.Also, within this book, motifs such as deformity, violence, and fantasy are elaborated upon. Indeed, Paul Metcalf uses this eccentric style to grapple with some pretty meaty subjects. I will not give the plot of the story away, but the ending of this book is quite fascinating, telling, and unexpected, a book well worth trudging one’s way though even if you are not always satisfied with the author’s digressive and meandering style. Give it a chance and you will find something worthwhile here.
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