The Charterhouse of Parma, by Stendhal
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The Charterhouse of Parma, by Stendhal
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Headstrong and naïve, the young Italian aristocrat Fabrizio del Dongo is determined to defy the wrath of his right-wing father and go to war to fight for Napoleon. He stumbles on the Battle of Waterloo, ill-prepared, yet filled with enthusiasm for war and glory. Finally heeding advice, Fabrizio sneaks back to Milan, only to become embroiled in a series of amorous exploits, fuelled by his impetuous nature and the political chicanery of his aunt Gina and her wily lover. Judged by Balzac to be the most important French novel of its time, The Charterhouse of Parma is a compelling novel of extravagance and daring, blending the intrigues of the Italian court with the romance and excitement of youth.
The Charterhouse of Parma, by Stendhal- Amazon Sales Rank: #7054193 in Books
- Published on: 2015-06-04
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .64" w x 6.00" l, .83 pounds
- Binding: Paperback
- 254 pages
About the Author 1783 - 1842. Officier de dragons, puis intendant militaire pendant les guerres de la Revolution et de l'Empire, il decouvre l'Italie, qui marque profondement sa sensibilite. A la chute de l'Empire, il va vivre a Milan et ecrit des opuscules sur la musique et la peinture ainsi qu'un recit de voyage, "Rome, Naples et Florence" (1817-1826), qu'il signe du nom de -Stendhal-. Il publie ensuite "De l'amour" (1822) et un essai sur le romantisme, ou il defend la tragedie en prose et prone l'abandon des regles classiques ("Racine et Shakespeare, " 1823-1825). Meconnu, il fait paraitre "Armance" (1827), "le Rouge et le Noir" (1830), puis il retourne en Italie comme consul a Civitavecchia, persuade que son oeuvre ne peut etre immediatement comprise. Pendant un conge a Paris, il publie "les Memoires d'un touriste" (1838), "la Chartreuse de Parme" (1839) et les "Chroniques italiennes" (1839). Son oeuvre posthume l'a definitivement consacre ("Lamiel, " 1889; "Vie de Henry Brulard, " 1890; "Lucien Leuwen, " 1894). Son style nerveux anime dans une action rapide des heros lyriques (Julien Sorel) qui dissimulent une grande sensibilite sous un apparent cynisme.
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1 of 2 people found the following review helpful. not as good as I By Dorothy G. Miller very dated in style and story. not as good as I remembered
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