The Sixteenth of June: A Novel, by Maya Lang
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The Sixteenth of June: A Novel, by Maya Lang
Free PDF Ebook The Sixteenth of June: A Novel, by Maya Lang
A finely observed debut novel that paints a funny, moving, truthful portrayal of a family at a turning point: “A triumph” (Helen Schulman, New York Times bestselling author of This Beautiful Life).Leopold Portman dreams of settling down in Philadelphia’s bucolic suburbs and starting a family with his fiancée, Nora. A talented singer in mourning for her mother, Nora has abandoned a promising opera career and wonders what her destiny holds. Her best friend, Stephen, Leopold’s brother, dithers in his seventh year of graduate school and privately questions Leo and Nora’s relationship. On June 16, 2004, the three are brought together—first for a funeral, then for the Portmans’ annual Bloomsday party. As the long-simmering tensions between them rise, they must confront their pasts and their hopes for the future. Clever, lyrical, and poignant, The Sixteenth of June delves into the frictions and allegiances of friendships, the murky uncertainty of early adulthood, and the yearning to belong. Offering a nod to James Joyce’s Ulysses, this remarkable novel explores the secrets we keep and the lengths we go to for acceptance and love. It is “a perfect book for fans of Jonathan Tropper, Meg Wolitzer, and, yes, James Joyce” (Star Tribune, Minneapolis).
The Sixteenth of June: A Novel, by Maya Lang- Amazon Sales Rank: #1034045 in Books
- Brand: Lang, Maya
- Published on: 2015-06-16
- Released on: 2015-06-16
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .70" w x 5.25" l, .0 pounds
- Binding: Paperback
- 256 pages
From Booklist Nothing is going to stop June and Michael Portman from hosting their annual Bloomsday soirée—not even Grandma Portman’s funeral that morning. Taking place on a single day, like James Joyce’s Ulysses, Lang’s clever first novel tracks three twentysomethings: the Portmans’ sons, Stephen and Leopold, and Nora, who is Leo’s fiancée as well as Stephen’s best friend. All three of them are stuck. Stephen has been trying to write his dissertation for seven years. Leo longs for a house in the suburbs and three kids, but Nora shows no signs of wanting to cap their long engagement with a wedding. And gifted Nora, who feels she doesn’t fit in with the Portmans’ privileged lifestyle, is singing jazz instead of opera and still in deep mourning for her mother, now dead for a year. They all find some resolution by the end of the day, although it isn’t necessarily the one they expected or hoped for. Despite the references to Ulysses, the Portmans’—and the novel’s—connection to Joyce’s work lies mostly on the surface. What matters more is the family dynamic and its currents of longing, loss, and love. --Mary Ellen Quinn
Review “A finely-tuned novel of friendship, loss, and self-forgiveness. This is a new voice of the highest caliber, one that articulates the things we never knew we thought, the things we never thought we knew.” (―Rebecca Makkai, author of The Hundred-Year House and The Borrower)
About the Author Maya Lang is the first-generation daughter of Indian immigrants. She was awarded the 2012 Bread Loaf-Rona Jaffe Foundation Scholarship in Fiction and was a Finalist for Glimmer Train’s Short Story Award for New Writers. She holds a PhD in Comparative Literature and lives in New York with her husband and daughter.
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11 of 11 people found the following review helpful. A rare literary trifecta of writing, storytelling, and characters By R. Barry This is a winning combination of witty and insightful writing, solid storytelling, and characters we can care about – an increasingly rare literary trifecta these days.First of all, the book is an enjoyable read, with any number of pleasurable passages which the reader can appreciate without becoming distracted by the writing itself. Second, the story of two young professionals and a graduate student in a fascinating and complex relationship immediately draws the reader in as it moves forward without predictability. Third, Lang treats her characters with understanding; she seems to find worth in each of her creations. We can appreciate the various qualities of each, despite the inevitable conflicts which may not be resolved without pain.I had looked forward to this novel because of its connection to Joyce's "Ulysses." It's important to emphasize that anyone can easily appreciate the "The Sixteenth of June" with zero knowledge of either Joyce or "Ulysses," period. But Lang has left more than enough Easter eggs here to make this a must-read for Joyceans.If you're looking for a smart, engaging book, you've found it.
4 of 4 people found the following review helpful. Hits a bit too close to home, but in a good way By David Z. Moss One of the other reviewers says that you can appreciate this book with zero knowledge of either Joyce or "Ulysses". I can confirm. Source: that's me. I read the book because I thought I could relate to the characters and that turned out to be more than true. In fact, they are a bit too believable if anything and I find myself nervously wondering what I'm missing about my own life when an author as astute as Lang is able to create so much detail in fictional characters. And it's not just Nora, Stephen and Leopold; the parents come alive as well. While the character portraits are clearly the dominant feature of the book, I also appreciated Lang's keen observations on food, economics, publishing, Philly, grad school and even football. The writing is blunt and sincere and few words are wasted. So if you are a Joyce fan it's an easy call to read this, but even for the more "Leopold" types like me the book is a winner.
3 of 3 people found the following review helpful. Impressive Debut By Victor Fortezza June 16th is the day the events of James Joyce’s Ulysses take place. It’s celebrated as Bloomsday in Ireland. I’ve read the novel twice. I understood about 10% of it, and do not remember a single line. It is an infinitely harder read than anything by Shakespeare, of whose works I understand at least 50 % and can cite many quotes. The only writer I find more difficult than Joyce is Henry James, who I understand but whose prose to me is dense and unreadable except for Turn of the Screw. Maya Lang, a Ph.D in Comparative Literature who grew up on Long Island, tackles Joyce in an impressive debut, The Sixteenth of June. Set in 2004, the 100th anniversary, it is told from the point of view of three characters: Leopold, an IT manager; Nora, his fiancé, a classically trained singer; and Stephen, Leopold’s brother, who has been working on his doctorate for seven years. Anyone intimidated by Joyce should not hesitate to read this intelligent book. Set in Philadelphia, it’s prose and dialogue are first rate and will be much more familiar to Americans than Joyce‘s. The subconscious thoughts are infinitely easier to follow, and the entire volume comes in at a tidy 237 pages, a quarter of the length, I’d guess, of Ulysses, which is discussed at times during the narrative. Any reference to it was lost on me. Stephen cites it as a book many pretend to have read. As for Lang’s work, it is rich with insight into the inner and outer worlds of humans. Here’s an example: “That is the economics of life, the market of the heart driven by supply and demand, just like everything else. When you want too much, too openly, life sees your hunger and contracts. Not mind as time unfolds, testing you. Not mind the sparseness, the seeming lack. No roses without thorns.” She also introduces a wonderful term: “Grand Unnamed Things” or “GUTS,” which are there but never to be examined. Since I had such difficulty with Ulysses, it wouldn’t be fair to say The Sixteenth of June is a better novel, but I certainly enjoyed it a hell of a lot more. My only quibble is that on occasion there seems to be more than one point of view in a paragraph. Some snobs will likely ridicule Lang for having the audacity to rework a classic. I commend her.
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