Nostromo: A Tale of the Seaboard, by Joseph Conrad
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Nostromo: A Tale of the Seaboard, by Joseph Conrad
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Joseph Conrad’s thrilling history of a fictional South American country, its precious resources, and the men who will decide its fate The fictional country of Costaguana, loosely based on Colombia, has suffered a long string of despots more interested in lining their pockets than strengthening the nation. Discontent simmers throughout the land, but in the major port city of Sulaco, industry chugs along. Keeping the silver flowing are capable men like Nostromo, a loyal and proficient longshoreman for the shipping company that transports boatloads of the precious ore. When an unexpected military coup shakes up the country, Nostromo finds himself entrusted with hiding an untold fortune from the encroaching revolution. Nostromo must balance his loyalty to Sulaco’s industrialists against the country’s financial health and the intentions of the insurgents. In this intricate novel, Joseph Conrad combines politics, adventure, revenge, and revolution to illustrate how power and money can corrupt even the most righteous of men. This ebook has been professionally proofread to ensure accuracy and readability on all devices.
Nostromo: A Tale of the Seaboard, by Joseph Conrad - Amazon Sales Rank: #688320 in eBooks
- Published on: 2015-06-30
- Released on: 2015-06-30
- Format: Kindle eBook
Nostromo: A Tale of the Seaboard, by Joseph Conrad From Library Journal This involved, philosophical novel is not for the casual listener, especially one who is supposed to be concentrating on the road ahead. Writing in 1904, Conrad invented a complex South American country with a turbulent history and a potentially explosive population, ranging from the wealthy gringo running the Sulaco silver mine to the poorest worker loading cargo on the docks. Although the story teems with lively characters, the dazzling figure of Nostromo eclipses them all. A natural leader?brave, handsome, and incorruptible?he naturally becomes the epicenter of the revolution that soon devastates Sulaco. With characteristic eloquence, Conrad has focused on the dramatic action of the revolution to explore challenging themes: capitalism, imperialism, revolution, and social justice. Unfortunately, this audio program, read by Frederick Davidson, is disappointing. Despite fine dramatic characterizations, the narrator's posh British accent is so pronounced that it often detracts from the text. Since Nostromo has also been narrated by Frank Muller (Recorded Books) and Wolfram Kandinsky (Books on TapeR), perhaps this version may not be the best choice.?Jo Carr, Sarasota, Fla.Copyright 1997 Reed Business Information, Inc.
Review
“Ruth Nadelhaft’s new edition of Nostromo is a timely addition to the Broadview Editions series. Without neglecting the traditional critical and biographical approaches, the supplementary materials and lucid introduction place Conrad’s difficult masterpiece fully and clearly within its contemporary contexts (especially the events surrounding the Panama Canal project), and in relation to our own debates about imperialism, colonials, and alleged racism in Conrad’s work. Broadview’s Nostromo, like its companion volumes, is truly a text for the way we teach now.” ― David Latané Jr., Virginia Commonwealth University
“Nadelhaft negotiates the impasse between existential and political responses to the book. In reaffirming that the personal is the political, she demonstrates how Nostromo represents the process whereby ‘imperialism transmits the virus of alienation.’ Joined with the historical apparatus so characteristic of Broadview Editions, such theorizing genuinely reopens a book that hasn’t yet received its due.” ― Michael Coyle, Colgate University
Review "Ruth Nadelhaft's new edition of Nostromo is a timely addition to the Broadview Editions series. Without neglecting the traditional critical and biographical approaches, the supplementary materials and lucid introduction place Conrad's difficult masterpiece fully and clearly within its contemporary contexts (especially the events surrounding the Panama Canal project), and in relation to our own debates about imperialism, colonials, and alleged racism in Conrad's work. Broadview's Nostromo, like its companion volumes, is truly a text for the way we teach now." (David Latane Jr. )"Nadelhaft negotiates the impasse between existential and political responses to the book. In reaffirming that the personal is the political, she demonstrates how Nostromo represents the process whereby 'imperialism transmits the virus of alienation.' Joined with the historical apparatus so characteristic of Broadview Editions, such theorizing genuinely reopens a book that hasn't yet received its due." (Michael Coyle )
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Most helpful customer reviews
48 of 50 people found the following review helpful. "Costaguana will always be run by butchers and tyrants." By Mary Whipple Often regarded as Conrad's masterwork, Nostromo is also Conrad's darkest novel, filled with betrayals at all levels and offering little hope for man's redemption. A novel of huge scope and political intrigue, it is also a novel in which no character actually wins. All must accept the ironies which fate has dealt them. Setting the novel in the imaginary South American country of Costaguana, the story centers around a silver mine in the mountains outside of the capital, Sulaco, vividly depicting its allure and the price each character pays for its success.When Charles Gould, returns from England to claim and reopen the rich silver mine he has inherited from his father, he has good intentions-- to provide jobs for the peasants and contribute to the economy of the town at the same time that he also profits. Soon, however, he becomes obsessed with wealth and power, and as the political climate gets hotter, he must pay off government officials, bandits, the church, and various armed revolutionaries to be able to work. Each of these groups is vividly depicted as working for its own ends and not for the good of the people, and with their goals focused on the real world, these characters have no self-awareness, nor do they develop it during the novel.In contrast to these "unrealized" humans, Conrad presents several characters who develop some self-awareness through their experiences. Nostromo, a local legend, is a man of principle who has always kept his word. Martin Decoud, a newspaper man, is a nihilist who has editorialized against the revolution, though he has yet to test himself. Dr. Monygham, captured during a past revolution, broke under torture, and is now seeking absolution by fighting against this revolution. And the good and long-suffering wife of Charles Gould, Dona Emilia, who has lost her husband to his silver mine, now devotes her life to helping others.When Nostromo agrees to protect a load of silver from revolutionaries by taking it out to sea, he takes Decoud with him, leaving him on an island with the silver when they almost sink. Decoud's reaction to his isolation, and Nostromo's reaction to the treasure that is suddenly "his," provide a dark commentary on idealism and human nature. In the conclusion, which includes a love story that feels tacked on, Conrad's darkest self is revealed, offering little hope of change and even less hope for man's redemption. Rich in atmosphere, vibrant in description, filled with characters representing all walks of life and philosophy, and set in a country where revolution is a way of life, the novel is full of dark portents and bleak political outcomes. Mary Whipple
58 of 65 people found the following review helpful. masterwork from a master writer By Bruce Kendall Conrad is my favorite 20th century author, so I am biased. The reviewer who compared him to Tolstoy was on the money. Both lived lives that gave them fodder for their fiction; Tolstoy as a soldier in the Crimean war, an aristocrat facing the turbulence of the political and social upheavals of fin-de-siecle Russia, and Conrad as a mariner and a Polish transplant who carved out a language and a career for himself in England. Nostromo contains some of the most vividly realized characterization, plot, and sensory detail of any novel ever written in the English language, period. Do not pay any attention to a customer whose review is based on listening to the audio tape version. It doesn't do the book justice and is indeed labored to the extreme. I would also hope that readers do not form their opinions from the BBC film. It is infinitely shallow by comparison to this rich work. While the "eponymous" character remains purposefully enigmatic, the other inhabitants of Costaguena are stereoscopically fleshed out. We are on intimate terms with the Goulds. We know Decoud's innermost thoughts. It's true that Decoud is the central character of this novel. His isolation and mental defragmentation is Conrad's arguement for and refuation of existentialism. We are all islands, yet no man is in island. Take your pick. This is a very large piece of fiction. Do not approch it as you would some best seller. It's not going to entertain you on every page. What it will do is reward you in riches that can never come cheaply. Yet it is not like Finnegan's Wake, where you have to have your Boedekker's guide to see you along your journey. It's also a great adventure story, with a larger than life hero. If I could suggest one book to represent the most finely crafted novel of its era, this would be it.
15 of 16 people found the following review helpful. A story of the silver coast By A.J. Joseph Conrad is one of the most effortlessly cosmopolitan writers in the English language, and "Nostromo" finds him in a fictitious South American country called Costaguana whose mountains are a bountiful resource of silver. And Conrad is probably the only writer who can transform his novel's hero from an all-around tough guy to a heroic savior to a sneaky thief to a tragic victim of mistaken identity through plausible twists of fate without ever letting the story fall into disarray.The main action of the novel takes place towards the end of the nineteenth century in a town called Sulaco, which is the base of operations for the San Tome silver mine up in the nearby mountains. The administrator of the mine is an Englishman named Charles Gould, whose primary challenge is to find American and European speculators to invest money to keep the mine in business. The other problem he faces is a civil war between the present government and a faction of rebels led by a general named Montero. Gould's wife Emilia is a prominent figure in town, an elegant matron with a philanthropic attitude towards the downtrodden native mine workers and townspeople.The hero, Nostromo, is an Italian sailor who settled in Costaguana for more lucrative work and is now in charge of keeping the dockworkers -- the "cargadores" -- in line. When Montero's troops invade Sulaco, Nostromo and Martin Decoud, an aristocratic Frenchman who runs Sulaco's newspaper, escape on a boat with the town's silver treasury to protect it from the marauders. Their boat is sideswiped and damaged by a ship commanded by a rebel colonel named Sotillo, and they are forced to moor on a nearby island and bury the treasure there. This island is the future site of a lighthouse to be maintained by the Violas, an Italian family whose patriarch, Giorgio, once supported Garibaldi and still reveres the man like a deity. There is obviously much more to the plot, too much to reveal in this review, and there are many additional important characters, but these are best left for the potential reader to discover.Narratively, Conrad keeps the story moving with plenty of action and suspense combined with the typical excellence of his prose. Structurally, though, is how Conrad's novel intrigues its reader: He frequently shifts viewpoints, in both place and time, to give the effect of different perspectives of both the immediate events and the long-term history of Sulaco. Contemporary reviewers of the novel apparently saw this technique as an artistic flaw; in retrospect, it seems well ahead of its time.Thematically, the novel presents a debate about the benefits and problems of imperialism and colonization, using Costaguano as a model colony and the Gould Concession as model imperialists. When Sotillo accuses foreigners of robbing his country of its wealth, Gould suggests to him that a country's resources (i.e., Costaguana's silver) can be used as an asset only from the cooperation of the native workers and the capital and technical knowledge of the colonists. Such a concept seems relevant to global economic development throughout the twentieth century.
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