Next Life Might Be Kinder, by Howard Norman
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Next Life Might Be Kinder, by Howard Norman
Read and Download Next Life Might Be Kinder, by Howard Norman
“Norman elegantly crafts a murder story that isn’t a mystery; a ghost story without shivers. At its heart, this is a bittersweet love story, about the hole left in a life.” — Seattle Times Sam Lattimore meets Elizabeth Church in 1970s Halifax, in an art gallery. Their brief, erotically charged marriage is extinguished with Elizabeth’s murder. Sam’s life afterward is complicated. In a moment of desperate confusion, he sells his life story to a Norwegian filmmaker named Istvakson, known for the stylized violence of his films, whose artistic drive sets in motion an increasingly intense cat-and-mouse game between the two men. Furthermore, Sam has begun “seeing” Elizabeth—not only seeing but holding conversations with her, almost every evening, and what at first seems simply hallucination born of terrible grief reveals itself, evening by evening, as something else entirely. “Beautifully and carefully written and unique, its meaning both elegant and elusive.” — Ann Beattie “Compelling and satisfying. Howard Norman has written a complex literary novel and a page-turner that’s impossible to put down.” — Minneapolis Star Tribune “Quirky and probing . . . riveting . . . sexy.” — Washington Post
Next Life Might Be Kinder, by Howard Norman- Amazon Sales Rank: #107982 in Books
- Brand: Norman, Howard
- Published on: 2015-06-09
- Released on: 2015-06-09
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .68" w x 5.31" l, .0 pounds
- Binding: Paperback
- 272 pages
From Booklist *Starred Review* Newlyweds Sam and Elizabeth create a zone of passion, both sexual and intellectual, in their apartment in a Halifax hotel in the early 1970s. Sam is writing his second novel and, for pay, new episodes for old radio shows. Elizabeth is working on her dissertation and learning the lindy. They are erotically bedazzled, steeped in the past, and deliriously happy. Then Elizabeth is murdered. Sam moves into a cottage by the sea, besieged by memories of what led to his beloved’s violent death. Each night Elizabeth, calm and collected, appears on the beach, and they talk. Sam’s therapist struggles to dismantle this delusion. Desperate for funds, Sam sold the film rights to his and Elizabeth’s story. He now loathes the pretentious, manipulative director. While Sam struggles within a vortex of anger and sorrow, his neighbors, a designer and a librarian, offer provocative perspectives on “situational ethics” and how secrets are kept and revealed. Once again Norman (What Is Left the Daughter, 2010) portrays Nova Scotia as a mystical realm, where the dead haunt the living, and time is tidal. The inspiration for this dark, sexy, allusive, and diabolical tale is found in Norman’s memoir, I Hate to Leave this Beautiful Place (2013), further complicating the novel’s eerie investigation into the yin and yang of verisimilitude and aberration. --Donna Seaman
Review
"an opening sentence worthy of the Noir Hall of Fame...provocative...haunting...deft"—Janet Maslin, New York Times
"Engrossing...Norman pulls off a fascinating balancing act here: the literary page-turner that, when it’s done, you want to retrace"—The Seattle Times "compelling and satisfying. Howard Norman has written a complex literary novel and a page-turner that’s impossible to put down."—Minneapolis Star Tribune"quirky and probing...riveting...sexy"—Washington Post "This latest novel, a strange and tragic love story told with great power and beauty, is a remarkable achievement… Shining through the confusion and madness is Norman’s masterly depiction of Sam and Elizabeth’s love affair before the murder, showing two people living modest, quiet lives who are redeemed and blessed by having found real love. VERDICT An inspiring and beautiful book; enthusiastically recommended for fans of literary fiction." —Library Journal, STARRED review"Once again Norman (What Is Left the Daughter, 2010) portrays Nova Scotia as a mystical realm, where the dead haunt the living, and time is tidal. The inspiration for this dark, sexy, allusive, and diabolical tale is found in Norman’s memoir, I Hate to Leave this Beautiful Place (2013), further complicating the novel’s eerie investigation into the yin and yang of verisimilitude and aberration."—Booklist, STARRED review
"Sweet, elegaic...you'll be richly rewarded."—Washingtonian
"a beguiling tale"—Kirkus Reviews
"[A] somewhat far-fetched but nonetheless entertaining novel"— Publishers Weekly
"A nimbus of unknowability lights up this exploration of love, and how we live in the ambiguous context of love, always moving backward and forward, as we do dancing the Lindy. Howard Norman has created a very real mystery, in writing a mystery about what we choose to look at as 'very real.' It’s vivid, haunting, and – as always, with this writer – beautifully and carefully written and unique, it’s meaning both elegant and elusive. I greatly admire Howard Norman’s writing." —Ann Beattie
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