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A View of the Harbour (New York Review Books Classics), by Elizabeth Taylor

A View of the Harbour (New York Review Books Classics), by Elizabeth Taylor

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A View of the Harbour (New York Review Books Classics), by Elizabeth Taylor

A View of the Harbour (New York Review Books Classics), by Elizabeth Taylor



A View of the Harbour (New York Review Books Classics), by Elizabeth Taylor

Free Ebook Online A View of the Harbour (New York Review Books Classics), by Elizabeth Taylor

Blindness and betrayal are Elizabeth Taylor’s great subjects, and in A View of the Harbour she turns her unsparing gaze on the emotional and sexual politics of a seedy seaside town that’s been left behind by modernity. Tory, recently divorced, depends more and more on the company of her neighbors Robert, a doctor, and Beth, a busy author of melodramatic novels. Prudence, Robert and Beth’s daughter, disapproves of the intimacy that has grown between her parents and Tory and the gossip it has awakened in their little community. As the novel proceeds, Taylor’s view widens to take in a range of characters from bawdy, nosey Mrs. Bracey; to a widowed young proprietor of the local waxworks, Lily Wilson; to the would-be artist Bertram—while the book as a whole offers a beautifully observed and written examination of the fictions around which we construct our lives and manage our losses.

A View of the Harbour (New York Review Books Classics), by Elizabeth Taylor

  • Amazon Sales Rank: #153930 in eBooks
  • Published on: 2015-06-02
  • Released on: 2015-06-02
  • Format: Kindle eBook
A View of the Harbour (New York Review Books Classics), by Elizabeth Taylor

Review Every one of her books is a treat and this is my favourite, because of its wonderful cast of characters, and because of the deftness with which Taylor's narrative moves between them ... A wonderful writer Sarah Waters Jane Austen, Elizabeth Taylor, Barbara Pym, Elizabeth Bowen - soul-sisters all Anne Tyler A wonderful novelist Jilly Cooper An eye as sharply all-seeing as her prose-style is elegant - even the humdrum becomes astonishing DAILY TELEGRAPH

From the Publisher The war over, retired naval officer Bertram comes to a quiet fishing village intending to paint. Curious, and with that strangely unfortunate capacity to inflict lasting damage while trying instead to do good, he begins delving into every corner of the picturesque backwater. There’s a lot going on beneath the quiet surface: pretty divorcee Tory is painfully involved with the local doctor—who just happens to be married to her best friend, Beth. And Beth continues to churn out successful romantic novels, oblivious to the relationship developing next door. Meanwhile, Lily pins vain hopes on Bertram’s careless kindness. Written with wit and compassion, A View of the Harbour is an enchanting, devastatingly well–observed novel. Elizabeth Taylor, who died in 1975, is the author of such highly praised novels as At Mrs Lippincote’s, Angel, and Blaming.

About the Author Elizabeth Taylor (1912-1975) was born and educated in Reading. On leaving school she worked as a governess & later in a library. She lived much of her married life in the village of Penn, Bucks. In 1984 ANGEL was selected by the Book Marketing Council's 'Best Novels of Our Time'.


A View of the Harbour (New York Review Books Classics), by Elizabeth Taylor

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Most helpful customer reviews

123 of 127 people found the following review helpful. "Welcome to the Claremont. I hope you have a strong stomach." By Mary Whipple When Mrs. Palfrey, a genteel, elderly widow, arrives with her possessions at the formerly elegant Claremont Hotel in London, she expects "something quite different." Planning to stay at least a month, possibly permanently, she prefers her independence in this aging London hotel to living in Scotland near her daughter, who prefers to ignore her. A variety of elderly eccentrics call the Claremont home--a ditzy busybody, a haughty observer of the social niceties, a woman who fancies herself an ingénue, and one lone male, an expert on all subjects. The residents put up a good front, but their loneliness and boredom are obvious--no one visits them, they rarely leave the hotel, and nothing in their lives changes very much.When she falls while walking one day, Mrs. Palfrey is rescued by Ludovic Meyer, a struggling young writer. Because of his kindness and her pleasure in his attention, she invites him to dinner, where the residents assume he is her grandson Desmond. Ludo/Desmond is everything that the other residents of the hotel long for--he genuinely cares for Mrs. Palfrey, he listens to her, and he recognizes her value. Having never known a normal family life, Ludo needs Mrs. Palfrey as much as she needs him, and she happily becomes his much-appreciated "grandmother."As the two develop a close relationship, Mrs. Palfrey reminisces about her life, and Ludo, having failed in past relationships, begins to understand what love means, blossoming under her attention. Ludo subsequently takes notes for a story he plans to write about her life and her experiences at the Claremont, where the informal motto is "We Aren't Allowed to Die Here." As time passes and life becomes more complicated for both of them, their relationship is tested.Filled with eccentric characters who respond to aging in different ways, this 1975 novel shows a feisty Mrs. Palfrey challenging convention by reveling in her relationship with Ludo. With an unerring eye for the telling detail and the perfectly revealing comment, the author brings universal themes to vibrant life--the passage of time, the aging process, the compromises we make, and our continuing need to be accepted. The author never resorts to caricature as she makes her wry observations, respecting her characters even when presenting them in sometimes darkly comic scenes. In this unusual and ironic masterpiece, old age is shown as a stage in life, one in which rewards and happiness are more important than the inevitable conclusion. Mary Whipple

71 of 73 people found the following review helpful. Love among the ruins By Jay Dickson In terms of sheer craftsmanship alone this little novel is a masterpiece--there hardly seems to be a word out of place. But what really distinguishes it is its sophisticated and yet almost oblique take on the many varieties of love. Elizabeth Taylor's setting is a small hotel in London which caters not only to visiting tourists but also to a small group of retired middle-class widows and widowers, who are forced to accept the dark back rooms and have little to do as they wait for death but knit and wait for the change of the evening's menu in the dining room. To this sad last stop before the grave comes Laura Palfrey, who (rare for a Taylor novel) is a genuine heroine in her kindness, sensitivity, and refreshing lack of the silliness or malice endemic among so many of the Claremont's other permanent denizens. Neglected by her only relative in the city, a grandson working at the British Museum, Mrs. Palfrey asks a young penniless writer who helps her after a fall one day to pretend to be the grandson in order for her to save face among her hotelmates--and as she learns to love him for his attentions and goodness to her he also begins to revel in her generosity and maternal care. Despite the repeated praise lavished on this book by other writers I held off reading it for a long while because I feared it would be unbearably sad; but while Taylor does not stint on the emptiness and pathos of her retiree characters' lives, she brings humor and an expansive vision of redemption to the book.

33 of 35 people found the following review helpful. The dusk of their days By Semioticghost This is the story of the eponymous heroine living out the dusk of her days in the Claremont Hotel on Cromwell Road in postcolonial London. Her fellow long-term residents are other old people who have fallen on hard times, but remain just about affluent enough to avoid a care home. The novel centres on the interactions between them, trying to keep up appearances and maintaining a stiff upper lip until the end. The loneliness and boundless monotony of their lives forms the backdrop to Mrs. Palfrey's astute and witty observations and we share her thrill in a secret kept from fellow guests: the man she addresses as her grandson is in fact a young writer she met in a chance encounter.Ludo, unlike her real grandson, is a delightful, attentive and interesting young man. He is preparing a novel -"We aren't allowed to die here"- and first draws on their encounters as a form of research, but their friendship grows on the basis of mutual respect and beautiful conversations.I would not have picked this up if it had not been for a personal recommendation and I was delighted by it.

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A View of the Harbour (New York Review Books Classics), by Elizabeth Taylor
A View of the Harbour (New York Review Books Classics), by Elizabeth Taylor

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